杀死比尔Kill Bill Movie Script

WE ZOOM OUT OF HER EYES INTO A CU. The REMEMBERING THEME CUTS OFF. She looks down at Buck and says;

THE BRIDE:

Your name's Buck, right? And you came to f***, right?

A "how the f*** does she know look," crosses his face.

The Bride looks down at him....The VENGEANCE THEME BEGINS PLAYING LOUDLY ON The SOUNDTRACK, and the VEIN IN HER FOREHEAD BECOMES PRONOUNCED and begins to PULSATE IN TIME WITH The MUSIC. Every time The Bride comes face to face with a tormenter, this Theme will play on the soundtrack. By mid movie this music should drive the audience wild with orgasmic anticipation of the carnage to come and With the door in her hand and one mighty slam, this Longview Texas boy is sent to the Promised Land.

She searches the dead man's pockets, coming up with a brown wallet that says on it, "BIG EL PASO PIMPIN," loaded with lettuce. She also pulls out a set of car keys on a pickup truck key chain that has the words, "P*ssy Wagon" on it written in a pimpy font. She gathers up all these items, and Gerald's knife, then begins to strip Buck of his orderly uniform.

INT. UNDERGROUND PARKING LOT - NIGHT The elevator doors to the hospital's underground parking lot open, revealing The Bride in Buck's orderly scrubs in a wheelchair.

She wheels out of the elevator fast into the parking lot. Her arms spinning the wheels as she goes down the line of cars, looking for a pickup truck that Buck would own...she stops.

What made The Bride stop. The ass end of a big, yellow 4x4 hard-body pickup truck, with flames painted along the side, and the words, "P*SSY WAGON," written along the flat-bed hatch door. Pimpy font.

The Bride looks at Buck's key chain in her hand.

EX CU CAR KEY in truck door lock, it turns.

EX CU TRUCK DOOR LOCK POPS UP OPEN.

INT. BACKSEAT OF BUCK'S TRUCK - NIGHT The Bride pulls herself up into the backseat of Buck's pickup truck. Once in the backseat, she shoves the wheelchair away.

It rolls out of control down the parking ramp, and CRASHES.

Now The Bride's lying vertically in Buck's truck's backseat.

Seemingly out of danger - at least out of sight - but she's still stuck hiding in the hospital. And until she regains full use of her legs and feet, this little Bride ain't goin anywhere or doin anything.

Lying flat, with the back of her head propped up against the door, her long, lifeless legs stretched out in front of her, her two bare feet at the end of them, pointing to the sky, the Bride focusses her eyes, her stare, her thoughts, her strength, and all her concentration....on her big toe.

SLOW ZOOM INTO BIG TOE.... SLOW ZOOM INTO HER FACE.... SLOW ZOOM INTO BIG TOE.... SLOW ZOOM INTO FACE.

THE BRIDE:

(monotone) Wiggle your big toe.

Toe doesn't move an inch.

THE BRIDE:

Wiggle your big toe.

It doesn't move.

THE BRIDE:

Wiggle your big toe.

(VOICE OVER) As I lay in the back of Buck's pickup truck, trying to will my limbs out of entropy, I could see the faces of the c*nts who did this to me, and the dick responsible.

Members all of Bill's brainchild; "The Deadly Viper Assassination Squad."

TITLE SEQUENCE:

For what looks like a 60's television show about an ALL-GIRL HIT SQUAD, complete with its own LALO SHIFFRIN THEME MUSIC.