杰瑞发布于2022-10-26
世界存亡危在旦夕,“信条”一词是唯一的线索与武器。主人公穿梭于全球各地,开展特工活动,力求揭示“信条”之谜,并完成一项超越了真实时间的神秘任务。这项任务并非时间之旅,而是【时空逆转】。
PROTAGONIST: So what do you think we’re seeing?BARBARA: The detritus of a coming war. The Protagonist looks around at the MULTITUDE of DRAWERS. EXT. CROWDED STREET, MUMBAI – DAY The Protagonist walks out of an electronics store, opening a new phone, and slips into the throng. He dials – Yup?MALE VOICE: (over phone)PROTAGONIST: We live in a twilight world.MALE VOICE: (over phone) No friends at dusk. I was told you’d left the building.PROTAGONIST: Even the dead need allies.MALE VOICE: (over phone) Specifically?PROTAGONIST: An assist in Mumbai. To get to Sanjay Singh.MALE VOICE: (over phone) Singh? He never leaves his house, and his house... well, it’s –PROTAGONIST: Yes, it is – I’m looking right at it. Above the bustling street, a HIGH-RISE HOUSE, at least twenty storeys tall, with two large balconies, towers over...MALE VOICE: (over phone) I’ll see who’s on deck. Bombay Yacht Club, two hours. As the Protagonist hangs up, he spots a figure, on the top balcony. A WOMAN IN A SARI, standing high above the city. INT. BOMBAY YACHT CLUB – EVENING The Protagonist enters the quiet ex-colonial establishment. Takes a seat. A BUSINESSMAN sits down next to him.BUSINESSMAN: It seems you need an introduction to a prominent Mumbai local on short notice. I’m Neil. Neil offers his hand. The Protagonist takes it –PROTAGONIST: I need an audience with Sanjay Singh.NEIL: Not possible.PROTAGONIST: Ten minutes, tops.NEIL: Time isn’t the problem. Getting out alive’s the problem. (thinks) Would you take a child hostage? The Protagonist shakes his head.