The Godfather: Part II 教父2 1974 Movie Script

杰瑞发布于2024-03-28

The compelling sequel to "The Godfather", contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

The old man nods, regretfully.
VITO:
(Sicilian) You have been kind to me since I was a boy; taken care of me, and been as a father. I will always be grateful to you. Thank you.
Vito takes off his apron, and leaves, passing the youth who loiters by the counter.
EXT. THE STREET - DAY making his way from the store.
SIG. ABBANDANDO (Sicilian o.s.) Vitone!
He turns, and Abbandando has followed him out of the shop, holding a basket of some groceries.
SIG. ABBANDANDO Here...for your family.
VITO:
No...please understand...I cannot accept.
INT. VITO'S TENEMENT - MED. VIEW - NIGHT Vito and his wife sit quietly at the table; the two are quiet and sad.
Suddenly, we HEAR a noise, and Vito is astonished to see a young man, PETER CLEMENZA, leaning out of the window on the other side of the air shaft which separates their apartments.
CLEMENZA:
Hey Paisan! Hold this for me until I ask for it. Hurry up!
Automatically Vito reaches over to the empty space at the air shaft, and takes the bundle of rags. Clemenza's round face is strained and urgent, obviously in some kind of trouble. Suddenly, he closes the window and there is activity that we cannot see in the other apartment.
Vito looks to his wife, and then closes the window and window dressing and takes the bundle into a private part of his kitchen and begins to unwrap it.
WHAT HE SEES:
Five oily guns. He immediately wraps them again, and carries them to a private closet, and hides it, and returns to his wife. He sits down back at the table; and she knows not to ask him what has happened.
EXT. NEW YORK STREETS - DAY Vito is walking through the crowded streets with a group of workmen; they all wear work clothes, and paper hats on their heads.
Vito looks to his left, and realizes that Clemenza is walking silently with him; by contrast, Clemenza dresses well.
CLEMENZA:
(Sicilian) (casually) Do you have my goods still?
Vito nods.
CLEMENZA:
(Sicilian) Did you look inside?
Vito, his face impassive, shakes his head 'no.'
CLEMENZA:
(Sicilian) I'm not interested in things that don't concern me.
INT. DOWNTOWN ITALIAN SOCIAL CLUB - DAY Vito and Clemenza drinking wine; they've become friends.
CLEMENZA:
(Sicilian) I have a friend who has a fine rug.
Maybe your wife would like it.
VITO:
(Sicilian) We have no money for a rug.