The Godfather: Part II 教父2 1974 Movie Script

杰瑞发布于2024-03-28

The compelling sequel to "The Godfather", contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

VIEW ON MICHAEL:
Finally, he has to step into the car and it roars off.
EXT. HAVANA STREETS - NIGHT Rebel cars with loudspeakers have already picked up the news that Batista has conceded...this throws the crowds already gathered for the New Year into cheers of joy.
They harass a wealthy family who are trying to get away in their car.
The people pull them out of the car, opening their suitcases, out of which spill piles of cash and jewelry into street.
Michael's car makes its way as the crowd cheers: "El animale se fue!"
EXT. THE UNITED STATES EMBASSY - MED. VIEW - NIGHT Crowds of panicked and frightened tourists, and Batistianos are trying to get to the safety of the Embassy with the families and possessions.
We see Geary, and some of the Americans we had met, working their way through the crowds, shouting that they are Americans in order to get preference on the line. Often that declaration brings 'boos' from the crowds.
Sometimes the joyous Cubans will let a family through, but again, taking away the suitcases, rich leather, filled with money and valuables. Money seems to be stuffed everywhere.
EXT. THE YACHT CLUB - NIGHT All forms of private transportation are jammed with people trying to get out, holding cash in their hands for anyone with a yacht or small boat to get them to Florida.
A car pulls up; and we see Sam Roth, Terri Roth and some of their men, carry the sickly, but still alive Hyman Roth to a private cruiser which is protected by men with machine guns.
Within seconds, they are on their way to Miami.
EXT. THE PRIVATE AIRPORT - NIGHT Things are no different at the airport; where anything that can fly is being jammed with refugees and their money.
A wealthy family is arguing with the pilot of a fast airplane; trying to force cash on him, and his family into the plane. The PILOT steadfastly refuses, although checking his watch, as though his passengers are late. He speaks only English.
PILOT:
No, this is a private plane. No, this plane is taken.
Finally Michael's Mercury pulls up, and Michael approaches the Pilot.
MICHAEL:
He isn't here.
PILOT:
We've got to leave, they'll take this thing apart.
MICHAEL:
All right. Go now.
The Pilot lets Michael in, as the Cuban screams curses at them, and begins searching for another plane for his family.
INT. THE PLANE - VIEW ON THE PILOT - NIGHT as the propeller turns over.
EXT. THE AIRPORT - FULL VIEW - NIGHT Groups of the cheering, celebrating Cubans sing "Guantanamera," now as a song of triumph.
INT. THE PLANE - MOVING VIEW - MICHAEL - NIGHT Closer to him, his personal and business life caught in the middle of history.
EXT. NEW YORK STREET - MED. VIEW - DAY (1920) He stops to pick out some choice oranges and peaches from a fruit stand. Then he reaches into his pocket for change.
VENDOR:
No, no. It is my pleasure to make this a gift.
CLOSE VIEW ON VITO