The Godfather: Part II 教父2 1974 Movie Script

杰瑞发布于28 Mar 14:35

The compelling sequel to "The Godfather", contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

ANTHONY:
Will you take me?
MICHAEL:
I can't.
ANTHONY:
Why do you have to go?
MICHAEL:
To do business.
ANTHONY:
I can help you.
MICHAEL:
Some day you will.
Michael kisses him again.
INT. MICHAEL-KAY'S BEDROOM - NIGHT The room is lit from a small night lamp on Michael's side of the large bed.
Kay is huddled in blankets, asleep. Michael closes the door to his room, moves to his side of the bed, and glances down to the pillow.
VIEW ON THE PILLOW is a child's drawing of a long limousine, with a man in a hat sitting in the back seat.
An arrow pointing to him is marked "DAD." Under it, a nine year old's handwriting says: "Do you like it? Check YES __ I liked it or NO __ I didn't like it." Michael turns, looking for a pencil, and moves to the dresser, where he places a check next to "YES."
He starts to cross back toward his side of the bed, when Kay turns, almost in her sleep:
KAY:
Michael? Why are the drapes open?
His eyes dart back to the curved, beautifully leaded windows of the room. The DRAPES are opened. Then, without a second's hesitation, he leaps to the floor, still holding his son's drawing, as a spray of machine gun bullets sweep across the windows; glass shattering all over the room.
Kay screams out; rising, still half-asleep. Michael crawls toward her, and pulls her down to the floor to him.
Then, for a moment, there is silence, soon filled by the shouts of men; as flashes of light sweep by the window, as guards with flashlights come running.
Michael holds Kay to him, knowing they have both survived,
and then gently:
MICHAEL:
Go with the kids.
EXT. THE TAHOE ESTATE - NIGHT Suddenly, the great floodlights are turned on, bathing lawns in an intense blue light.
Groups of ordinarily dressed security men drawn in from all directions; a state of confusion prevails. There is no sign of the attackers.
VIEW BY MICHAEL'S HOUSE Michael is joined by Rocco Lampone, his gun drawn.
ROCCO:
They're still on the property.
Maybe you better stay inside.
MICHAEL:
Keep them alive.