The Godfather: Part II 教父2 1974 Movie Script

杰瑞发布于28 Mar 14:35

The compelling sequel to "The Godfather", contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

FREDO:
(on the phone) Yeah. Okay. Who? Mikey? But... Si... si, caposco.
(in Sicilian) Sure... how much? I understand.
Jesus, three million... I won't let you down. Sure.
He hangs up thoughtfully.
ONE OF THE GIRLS Freddie; we still got twelve minutes before the finale!
FREDO:
Yeah... some other time.
EXT. NEW YORK BAR - DAY There is a light rain. Pentangeli steps out of his car; points to Willy Cicci.
PENTANGELI:
Wait in the car.
He walks up the street, to the bar, where he is greeted by the tall, handsome Carmine Rosato. They shake hands.
Pentangeli looks in his hand.
CLOSE VIEW:
Rosato has put a crisp one hundred dollar bill in his hand, folded sharply in two.
PENTANGELI:
What's this?
ROSATO:
That's a lucky C note for our new deal.
He puts his arm around Pentangeli, and they walk into the bar.
INT. THE BAR - DAY The bar is fairly empty; and very dark. Pentangeli and Rosato step up to the bar; the bartender momentarily stops polishing glasses to pour a couple of drinks.
ROSATO:
We were all real happy about your decision, Frankie; you're not goin' to regret it.
He holds up the glass.
PENTANGELI:
I don't like the C-note. I take it like an insult.
Suddenly, a garrote is thrown around Pentangeli's throat; and he is forcefully yanked back into the shadows, all the way into a wooden telephone booth.
CLOSE VIEW:
The folded hundred dollar bill resting on the bar.
MED. CLOSE - THE PHONE BOOTH We see only Pentangeli's feet and legs, struggling. We HEAR the terrible sounds of a man being strangled.
CLOSE ON ROSATO:
Calm, and then he sees something that disturbs him.
ROSATO:
Sh*t, your friend the cop!
Suddenly, the side door opens, and a shaft of sunlight cuts through the darkness.
COP:
Everything all right in there, Ritchie? The door was open.