终结者The Terminator Movie Script

杰瑞发布于2023-02-24

The Terminator is a 1984 American science-fiction action film written and directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day become a savior against machines in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier from the future sent back in time to protect Connor. 《终结者》（The Terminator）是一部1984年的美国科幻动作片，由詹姆斯·卡梅隆编剧和执导。该片由阿诺德·施瓦辛格（Arnold Schwarzenegger）饰演终结者，一名机械人刺客，于2029年至1984年被送回现场，杀死了莎拉·康纳（Linda Hamilton饰），她的儿子有一天会成为世界末日后对抗机器的救世主。迈克尔·比恩（Michael Biehn）饰演凯尔·里斯（Kyle Reese），一名来自未来的士兵，被及时遣返回保护康纳。

The rain streams down over his face, running into and over his eyes. They do not blink.
CUT TO:
5 EXT. DOWNTOWN STREET/ALLEY - NIGHT 5 Another part of the city. Seedy apartments and storefronts.
The streets glisten, hissing with sporadic late night traffic.
SLOW PAN AND DOLLY into the mouth of a narrow alley lined with trash containers and fire escapes. From a recessed doorway, two filthy legs sprawl out onto the wet pavement.
An angry, inarticulate DRUNKARD'S MONOLOGUE rises occasionally above the rain sounds.
ANGLE - DOORWAY, The derelict rouses from his bitter stupor as a brilliant purple glare lights up the wet brickwork around him. A shockwave hurls trash into the air.
Painted over windows shatter.
Rat scurry, blinded.
A FIGURE drops INTO FRAME as if out of the sky and smacks the pavement with a muddy splash.
C.U. - DERELICT, as he blinks at the fading glare, amazed.
A NAKED MAN, compact and muscular, rises in a defensive crouch. KYLE REESE is 22, but his face has been aged by ordeal, the mouth hard, eyes grim. A crinkled burn scar traverses one side of his face from chin to forehead. Other scars, from burns and bullets, mar his hard-muscled body.
The rain washes a fine coating of white ash from his skin as electrical ARCS lace back and forth between the fire escapes behind him, HISSING and SPUTTERING. The sound fades, then stops altogether, to be replaced by a rising scream of animal agony.
Reese lurches to his feet and sprints across the alley.
CUT TO:
5A/FX OMITTED 5A/FX 6 OMITTED 6 7 EXT. FIRE ESCAPE - NIGHT 7 CAMERA MOVES WITH REESE as he leaps to the fire escape and clambers up to the first landing to crouch beside another NAKED MAN who appears to be entangled in the ironwork. The man is contorted with pain as his screams die to a shivering gasp. CLOSER ANGLE reveals that he has been skewered through the abdomen by the horizontal iron slats and through the shoulder by a railing. He has materialized in the same space occupied by the fire escape structure. The figure slumps, motionless.
Reese quickly checks for signs of life. The man is dead.
Reese descend to the alley floor and crosses to the drunk huddled in the doorway.
A pair of flamboyantly dressed women, obviously working girls, passes by the alley mouth. They do a double take when they see Reese, but walk on without breaking stride, completely jaded. He's certainly not a potential customer.
Reese crouches down as if to speak to the drunk.
DERELICT:
Say, buddy...did you see a real bright light?
CUT TO:
8 EXT. ALLEY/SAME - NIGHT 8 A brilliant white glare stabs into the alley mouth as an LAPD cruiser glides slowly by on the street. The search- light illuminates the figure of Reese, crouching over the sprawled drunk, just pulling on the other's trousers.
The cruiser chirps to a stop. The doors fly open and two cops leap out.
FIRST COP: Hold it, right there!
Reese hitches his pants and bolt like a shot. The cops draw their guns and race into the alley after him.
HANDHELD CAMERA or PANAGLIDE, rushing with Reese along the narrow alley. He vaults a pile of tumbled trashcans.
Whips around a corner. Leaps the hood of a parked car in the cross alley.