终结者The Terminator Movie Script

杰瑞发布于2023-02-24

The Terminator is a 1984 American science-fiction action film written and directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day become a savior against machines in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier from the future sent back in time to protect Connor. 《终结者》（The Terminator）是一部1984年的美国科幻动作片，由詹姆斯·卡梅隆编剧和执导。该片由阿诺德·施瓦辛格（Arnold Schwarzenegger）饰演终结者，一名机械人刺客，于2029年至1984年被送回现场，杀死了莎拉·康纳（Linda Hamilton饰），她的儿子有一天会成为世界末日后对抗机器的救世主。迈克尔·比恩（Michael Biehn）饰演凯尔·里斯（Kyle Reese），一名来自未来的士兵，被及时遣返回保护康纳。

REESE:
What day is it? The date...
COP:
Thursday...uh...May twelfth.
REESE:
(viciously) What year?
A SHOT whines off the metal side of an escalator behind Reese's head. He vaults the escalator rail, leaving the amazed cop lying on the floor.
Reese bounds up the frozen steps, pocketing the .38 Police Special in his coat.
Cops dash through the maze of aisles, converging at the escalators.
CUT TO:
15 INT. DEPARTMENT STORE/SECOND FLOOR - NIGHT15 WHIP PANNING WITH REESE, as he hurtles between displays.
He stops for a moment beside a rack of shoes. Slaps one of a pair of tennis shoes sole-to-sole against his bare foot.
他在一排鞋架旁停了一会儿。把一双网球鞋的鞋底一对一地拍打在他光着的脚上。
Too small. Another. Holding the shoes he runs on.
CUT TO:
16 EXT. SECOND FLOOR FIRE ESCAPE LANDING - NIGHT 16 A door opens quietly and Reese slips out.
CAMERA TRACKS WITH HIM as he moves like a panther along the narrow catwalk. TILT DOWN to include the first LAPD cruiser parked at the mouth of the alley.
CUT TO:
17 EXT. ALLEY/STREET - NIGHT 17 Reese drops cat-like beside the unattended police car.
Cautiously, he opens the door of the cruiser, removes the RIOT GUN, an Ithaca pump model, from the dash rack and slips it under his coat. Cradled in a vertical position, the shortened weapon is virtually invisible.
他小心翼翼地打开巡洋舰的门，从仪表板上取下伊萨卡泵模型RIOT GUN，并将其放在外套下面。这种缩短的武器垂直放置，几乎看不见。
He walks out onto the street and away, unhurriedly, an innocuous pedestrian soon lost in the rain.
CUT TO:
18 EXT. STREET/NEARBY - NIGHT 18 Reese enters a telephone booth. Harsh light rakes across his face, outlining the long scar. He opens the directory, leafs through it.
ANGLE - MACRO ON PAGE, Reese's finger slides down a column.
Stops beside the following listings in the big metropolitan white pages: CONNOR, SARAH CONNOR, SARAH ANN CONNOR, SARAH J.
DISSOLVE TO: 19 EXT. CITY STREET - MORNING 19 The night's rain has given way to a typical L.A. morning of diffuse sunlight.
MOVING WITH A GIRL on a MOPED as she zips through traffic.
SARAH CONNER is 19, small and delicate-featured. Pretty in a flawed, accessible way. She doesn't stop the party when she walks in, but you'd like to get to know her. Her vulner- able quality masks a strength even she doesn't know exists.
Sarah maneuvers nimbly, apparently in a hurry.
CUT TO:
20 EXT. BIG BOB'S RESTRAUNT - DAY 20 Sarah buzzes into the parking lot of Big Bob's Family Restaurant and chains the moped to the icon of Big Bob himself. The fiberglass cherub holds up his mammoth hamburger in perpetual homage to whatever deity watches out for fat kids.
Sarah removes a stack of college textbooks from the luggage carrier and tuns to go into the restaurant.
SARAH:
(to Big Bob) Watch this for me, big buns.
CUT TO:
21 INT. BIG BOB'S/DINING AREA 21 HIGH WIDE SHOT prominently featuring a VIDEO SURVEILLANCE CAMERA F.G. as Sarah enters below. She passes under another video eye as she crosses the main floor of the wholesomely appointed eatery. Sarah goes through the swinging STAFF doors under a third camera.