终结者The Terminator Movie Script

杰瑞发布于24 Feb 11:04

The Terminator is a 1984 American science-fiction action film written and directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day become a savior against machines in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier from the future sent back in time to protect Connor. 《终结者》（The Terminator）是一部1984年的美国科幻动作片，由詹姆斯·卡梅隆编剧和执导。该片由阿诺德·施瓦辛格（Arnold Schwarzenegger）饰演终结者，一名机械人刺客，于2029年至1984年被送回现场，杀死了莎拉·康纳（Linda Hamilton饰），她的儿子有一天会成为世界末日后对抗机器的救世主。迈克尔·比恩（Michael Biehn）饰演凯尔·里斯（Kyle Reese），一名来自未来的士兵，被及时遣返回保护康纳。

PANAGLIDE PRECEDING COPS, as they snake through the night maze.
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9 EXT. CROSS ALLEY - NIGHT 9 PANAGLIDE WITH REESE as he hits a chain link gate at a dead run and scrambles over it.
10 EXT. ALLEY JUNCTION - NIGHT 10 WHIP PAN ON COPS, skidding to a stop at the corner in time to see Reese vault the fence. They separate.
DOLLY WITH SECOND COP, as he runs to the gate.
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11 EXT. ALLEY/NEARBY - NIGHT 11 LOW PANAGLIDE WITH REESE, running full tilt, displaying incredible agility.
REESE'S POV, the alley walls blur by. The view of a hot- wired rat in an urban maze.
C.U. - REESE, CAMERA hugging him as he sprints and turns, alternately front-lit, side-lit and silhouetted as the electric glare of the city wheels about him.
ANGLE - ALLEY MOUTH, Reese flashes though intermittent cross-lighting in the B.G.
Another unit arrives out front and Reese melts back into the alley, only to see a cop round the corner behind him.
Sandwiched. Reese crashes into a steel door, rending the lock, and vanishes into the darkness within.
The newly arrived cops are a K-9 unit. They open the back door of the squad car to release a large black Doberman.
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12 INT. DEPARTMENT STORE - NIGHT 12 Reese finds himself among the display racks of a discount department store. A searchlight stabs in the front window as he dashes into the maze of aisles.
Three cops enter behind him through the shattered door.
FAST PANAGLIDE WITH REESE, as he crab-runs low among the moving shadows where flashlights quarter the darkness. He bolts the open space behind a display window. Sees the outside searchlight sweep toward him. Freezes.
ANGLE - REESE, his feral face frozen among the smooth- featured, smiling mannequins. As the light passes, Reese silently moves on.
ANGLE - COP, passing the end of a long aisle B.G. while in the F.G. a hand ENTERS FRAME, removing a knit shirt from a hanger. Reese slips the shirt on quietly and does a fast crab-walk across the aisles to melt into the other racks and shadows, CAMERA MOVING LOW with him.
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13 INT. DEPARTMENT STORE/AISLE - NIGHT 13 With a shocking GROWL the police dog hurtles out of the shadows, LEAPING RIGHT AT CAMERA.
ANGLE - REESE AND DOG, a dark blur with teeth, extremely Doberman, flies toward Reese. He spins. Catches it by the throat in mid-air. Arcs it to the floor with unflinching precision.
C.U. - DOBERMAN, suddenly on its back and held by the throat, THE DOG YELPS and stares at Reese, who leans very close.
Inches from its eyes he fixes it with a gaze of uncompromis- ing dominance. Some ancient communication seems to pass between the two.
Reese releases the animal and turns his back on it, selecting a long overcoat from a rack. The dog backs away from him, stiff-legged and confused.
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14 INT. DEPARTMENT STORE - NIGHT 14 TRACKING WITH REESE as he rounds a corner on the run, still shrugging into his long coat.
Running smack at him is another cop, gun aimed.
Without slowing, Reese leaps toward him, twisting in mid-air like a cat. The cop FIRES. Misses. Goes down under Reese's tackle and they slide together on the polished floor.
Before they even come to rest Reese snatches the cop's gun, aiming it at the other's face two-handed.