终结者The Terminator Movie Script

杰瑞发布于24 Feb 11:04

The Terminator is a 1984 American science-fiction action film written and directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day become a savior against machines in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier from the future sent back in time to protect Connor. 《终结者》(The Terminator)是一部1984年的美国科幻动作片,由詹姆斯·卡梅隆编剧和执导。该片由阿诺德·施瓦辛格(Arnold Schwarzenegger)饰演终结者,一名机械人刺客,于2029年至1984年被送回现场,杀死了莎拉·康纳(Linda Hamilton饰),她的儿子有一天会成为世界末日后对抗机器的救世主。迈克尔·比恩(Michael Biehn)饰演凯尔·里斯(Kyle Reese),一名来自未来的士兵,被及时遣返回保护康纳。

CUT TO:
130 EXT./INT. TERMINATOR'S CRUISER - NIGHT 130 ANGLE THROUGH WINDSHIELD, ON TERMINATOR, as he searches.
Streetlights flare across rhythmically.
CUT TO:
131 EXT. POLICE HELICOPTER - NIGHT 131 It moves between two buildings, searchlight sweeping back and forth. DOWN ANGLE, past the chopper, as the circle of light moves across a row of parked cars.
It passes a grey sedan with a shattered windshield.
Flicks back. Holds.
TIGHTER ON CAR, GROUND LEVEL, in the glare and propwash.
It looks empty.
CUT TO:
132 EXT. PARKING LOT/NEARBY - NIGHT 132 LOW ANGLE DOLLY, MOVING WITH REESE AND SARAH as they crawl behind a row of parked cars.
He has firm hold of her arm but she seems to be cooperating.
In the B.G., the chopper hovers, on the far side of the lot.
Reese approaches the door of a late model brown Buick which has been left with its window partway down.
He unlocks it and they slip inside.
CUT TO:
133 EXT./INT. TERMINATOR'S CRUISER - NIGHT 133 TIGHT ON TERMINATOR, through the windshield of the black- and-white.
DISPATCHER (V.O.) (filtered) Suspect vehicle located at parking lot, Cedar and Glen- haven... FULL SHOT as Terminator's cruiser slews in a radical turn and roars off in the opposite direction.
CUT TO:
134 INT./EXT. BROWN BUICK/PARKING LOT - NIGHT 134 Reese uses the butt of the shotgun to smash loose the ignition assembly. He begins working on the wires. A police cruiser appears, moving slowly between the rows of cars.
Reese grabs Sarah and pulls her down to huddle below dash level. A moment later a spotlight flashes across the seats above them. They hear the helicopter circling closer.
SARAH:
Reese...why me? Why does it want me?
They are lying very close, a forced intimacy. Reese's voice is an urgent whisper, almost in her ear. A cruiser passes so close they can hear its radio clearly.
REESE:
There's so much...
SARAH:
Tell me. Just start at the beginning.
Reese musters his thoughts. And starts.
REESE:
There was a war. A few years from now. Nuclear war. The whole thing. All this-- His gesture includes the car, the city, the world.
REESE:
(continuing) --everythingis gone. Just gone. There were survivors.
Here. There. Nobody knew who started it.
(pause) It was the machines.