终结者The Terminator Movie Script

杰瑞发布于24 Feb 11:04

The Terminator is a 1984 American science-fiction action film written and directed by James Cameron. It stars Arnold Schwarzenegger as the Terminator, a cyborg assassin sent back in time from 2029 to 1984 to kill Sarah Connor (Linda Hamilton), whose son will one day become a savior against machines in a post-apocalyptic future. Michael Biehn plays Kyle Reese, a soldier from the future sent back in time to protect Connor. 《终结者》（The Terminator）是一部1984年的美国科幻动作片，由詹姆斯·卡梅隆编剧和执导。该片由阿诺德·施瓦辛格（Arnold Schwarzenegger）饰演终结者，一名机械人刺客，于2029年至1984年被送回现场，杀死了莎拉·康纳（Linda Hamilton饰），她的儿子有一天会成为世界末日后对抗机器的救世主。迈克尔·比恩（Michael Biehn）饰演凯尔·里斯（Kyle Reese），一名来自未来的士兵，被及时遣返回保护康纳。

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212 INT. MOTEL ROOM/LATER - NIGHT 212 TIGHT ON SARAH AND REESE in each other's arms. Lying across his chest, she surveys his face as his eyes close drowsily.
SARAH:
I bet you're ticklish.
REESE:
(uncompre- hending) Ticklish?
Sarah's hand moves OUT OF FRAME. After a moment Reese looks down, puzzled.
REESE:
What are you doing?
SARAH:
(continuing doggedly) You'll beg for mercy in a second.
Reese seems unperturbed. Finally he begins to squirm.
REESE:
I don't think I like this.
SARAH:
You're not supposed to.
Now Reese is becoming desperate. A grimace spreads across his face. It becomes a grin. Then he's laughing, trying to escape but she won't let him, and they collapse, laughing together.
Sarah gazes at his grin, a glimpse of the Reese that might have been, in another life.
A moment later the grin vanishes at the sound of dogs barking outside.
Reese is off the bed in an instant, crouched tense, eyes alert. Feral as ever.
REESE:
(whispering) Listen to the dogs.
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213 EXT. MOTEL OFFICE - NIGHT 213 The German Shepherd, barking furiously, LUNGES TOWARD CAMERA repeatedly, at the end of a chain.
A dark figure moves by in the F.G., out of the dog's reach.
CUT TO:
214/FX INT./EXT. MOTEL/TERMINATOR'S POV - NIGHT 214/FX The digitized view is image-intensified, bright and stark as a lunar landscape. PAN OFF the lunging dog to the row of rooms facing the parking lot.
HANDHELD as we approach the doors.
It is WIDE ANGLE and the barrel of the AR-180 is visible at the bottom of FRAME.
The nearest vehicle parked in front is a LARGE PICKUP TRUCK WITH TWO DIRT BIKES lashed in the bed, seen prominently as we pass.
The POV approaches a door. Number 14.
The door is KICKED OPEN.
Moving inside.
The assault rifle sprays the room, exploding the indistinct forms on the bed. Staccato glare. Approaching the bed.
Nothing there put the shredded remain of sheets and pillows.