泰坦尼克号 Titanic (1997) Movie Script

杰瑞发布于2024-09-08

　　1912年4月10日，号称 “世界工业史上的奇迹”的豪华客轮泰坦尼克号开始了自己的处女航，从英国的南安普顿出发驶往美国纽约。富家少女罗丝（凯特•温丝莱特）与母亲及未婚夫卡尔坐上了头等舱；另一边，放荡不羁的少年画家杰克（莱昂纳多·迪卡普里奥）也在码头的一场赌博中赢得了下等舱的船票。　　罗丝厌倦了上流社会虚伪的生活，不愿嫁给卡尔，打算投海自尽，被杰克救起。很快，美丽活泼的罗丝与英俊开朗的杰克相爱，杰克带罗丝参加下等舱的舞会、为她画像，二人的感情逐渐升温。　　1912年4月14日，星期天晚上，一个风平浪静的夜晚。泰坦尼克号撞上了冰山，“永不沉没的”泰坦尼克号面临沉船的命运，罗丝和杰克刚萌芽的爱情也将经历生死的考验。 Titanic; the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the "ship of dreams" -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912.

OLAUS and BJORN GUNDERSEN.
Jack throws his kit on one open bunk, while Fabrizio takes the other.
BJORN:
(in Swedish/ subtitled) Where is Sven?
CUT TO:
46 INT. SUITE B-52-56 - DAY By contrast, the so-called "Millionaire Suite" is in the Empire style, and comprises two bedrooms, a bath, WC, wardrobe room, and a large sitting room. In addition there is a private 50 foot promenade deck outside.
A room service waiter pours champagne into a tulip glass of orange juice and hands the Bucks Fizz to Rose. She is looking through her new paintings.
There is a Monet of water lilies, a Degas of dancers, and a few abstract works. They are all unknown paintings... lost works.
Cal is out on the covered deck, which has potted trees and vines on trellises, talking through the doorway to Rose in the sitting room.
CAL:
Those mud puddles were certainly a waste of money.
ROSE:
(looking at a cubist portrait) You're wrong. They're fascinating. Like in a dream... there's truth without logic. What's his name again... ?
(reading off the canvas) Picasso.
CAL:
(coming into the sitting room) He'll never amount to a thing, trust me. At least they were cheap.
A porter wheels Cal's private safe (which we recognize) into the room on a handtruck.
CAL:
Put that in the wardrobe.
47 IN THE BEDROOM Rose enters with the large Degas of the dancers. She sets it on the dresser, near the canopy bed. Trudy is already in there, hanging up some of Rose's clothes.
TRUDY:
It smells so brand new. Like they built it all just for us. I mean... just to think that tonight, when I crawl between the sheets, Iill be the first-- Cal appears in the doorway of the bedroom.
CAL:
(looking at Rose) And when I crawl between the sheets tonight, I'll still be the first.
TRUDY:
(blushing at the innuendo) S'cuse me, Miss.
She edges around Cal and makes a quick exit. Cal comes up behind Rose and puts his hands on her shoulders. An act of possession, not intimacy.
CAL:
The first and only. Forever.
Rose's expression shows how bleak a prospect this is for her, now.
CUT TO:
48 EXT. CHERBOURG HARBOR, FRANCE - LATE DUSK Titanic stands silhouetted against a purple post-sunset sky. She is lit up like a floating palace, and her thousand portholes reflect in the calm harbor waters. The 150 foot tender Nomadic lies-to alongside, looking like a rowboat. The lights of a Cherbourg harbor complete the postcard image.
CUT TO:
49 INT. FIRST CLASS RECEPTION/ D-DECK Entering the first class reception room from the tender are a number of prominent passengers. A BROAD-SHOULDERED WOMAN in an enormous feathered hat comes up the gangway, carrying a suitcase in each hand, a spindly porter running to catch up with her to take the bags.
WOMAN:
Well, I wasn't about to wait all day for you, sonny. Take 'em the rest of the way if you think you can manage.
OLD ROSE (V.O.) At Cherbourg a woman came aboard named Margaret Brown, but we all called her Molly. History would call her the Unsinkable Molly Brown. Her husband had struck gold someplace out west, and she was what mother called "new money".
At 45, MOLLY BROWN is a tough talking straightshooter who dresses in the finery of her genteel peers but will never be one of them.