词汇:street

n. 街道

相关场景

He waits. Listens. Silence EXT. STREET - EVENING Deserted. Buildings on fire but dying out. Corpses in the street, including the woman who was shot, still in her strange kneeling position.
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SZPILMAN'S POV:
AGAIN THE STREET.
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Everywhere! Get out into the street!
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The woman clutches her stomach, drops slowly to her knees and collapses on the street in an awkward kneeling position, and that's how she remains.
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A horse-drawn cab rounds a corner and clatters down the street.
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EXT. DOWN IN THE STREET - DAY A battle raging.
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At the far end, at the T-junction with a main road, a tram rumbles down the street and comes to a halt, disgorging passengers on the far side and so out of sight.
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SZPILMAN'S POV:
There are views of the city, but in the street below, opposite, is a hospital and, on the corner, a building flying a Nazi flag and guarded by a sentry, standing at his sentry-box.
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INT./EXT. 2ND APARTMENT AND STREET - NIGHT A large room, sparsely furnished but with an upright piano and a bed.
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INT. VILLA, NARBUTT STREET - NIGHT He goes to the front door, rings the bell and waits.
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EXT. NARBUTT STREET - NIGHT Szpilman drags himself along, trudging through snow and slush. Passers-by give him a wide berth. He tries to walk normally, with dignity, but he's weak and slips, and finds the going hard.
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EXT. SIDE STREET - EVENING Szpilman lurches into the narrow street. No one about. He stops, almost collapses, but manages to keep hold of himself. He puts on his coat and wraps the scarf round his neck. He leans up against a wall.
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EXT. STREET - EVENING Heavy snow. Szpilman stumbles into the street and runs. He darts down a side street.
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In the street below, he sees SS men escorting two prisoners and shoving into a car. The car speeds off. The street is empty.
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INT./EXT. 1ST APARTMENT - DAY SZPILMAN'S POV - THE STREET.
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EXT. 1ST APARTMENT, SZPILMAN'S POV - DAY Blazing sun. The ghetto buildings now burned-out shells, the street empty.
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SZPILMAN'S POV:
A German personnel carrier, an open car carrying officers, and a motorcycle and sidecar roar down the narrow street below towards the buildings at the far end. German soldiers follow behind on the trot, pulling a field gun.
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SZPILMAN'S POV:
He can see a section of ghetto wall below. Beyond it, inside the ghetto, a narrow street leading to deserted buildings.
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EXT. TRAM STOP, WARSAW STREET - AFTERNOON Szpilman and Gebczynski wait with others at the stop as the tram trundles towards them and comes to a halt.
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EXT. WARSAW STREETS - NIGHT A rickshaw carrying Szpilman and Bogucki travels along the dark streets.
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EXT. WISNIOWA STREET - NIGHT Dimly lit. Empty street. Szpilman walks fast to the corner, stops, looks round anxiously. Nothing. He takes the armband from his pocket and drops it through the grating of a drain in the gutter just as there's movement in a darkened doorway. Szpilman tenses.
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EXT. STREET LEADING TO GHETTO - NIGHT Freezing cold. The Jewish workers, with their bundles of potatoes and bread, march back towards the ghetto gates escorted by the two Polish policemen. In the column, Szpilman, near the policeman with the moustache, and a little behind them, Majorek. Distant sounds of gunfire.
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EXT. STREET LEADING TO GHETTO - NIGHT The Jewish workers, all carrying their parcels of potatoes and bread, march back towards the ghetto gates escorted by two Polish policemen. Szpilman walks beside them. Ahead of him, Majorek near the front of the column.
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EXT. GHETTO STREET - DAY As before, Szpilman and Benek march towards the ghetto gates in the demolition column, four abreast, under the command of the Jewish foremen and guarded by the two German policemen.
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EXT. ZELAZNA BRAMA SQUARE - DAY Street traders with baskets full of wares, fruit, vegetables, fish, tins of preserves. Women bargain with them, making purchases. Lively, colourful. Dealers in gold and currency calling monotonously.
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