词汇:spring

n. 春天;弹簧;泉水;跳跃;活力

相关场景

EXT DAY:
MALL (SPRING 1951) Easter.
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EXT NITE:
DON'S LIMO (SPRING 1946) The DON's black limousine. He sits quietly in the padded rear seat; TOM HAGEN next to him.
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INT DAY:
BOARD ROOM (SPRING 1946) The Board Room of a bank, daylight shines in the windows.
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EXT DAY:
BANK BUILDING (SPRING 1946) Day in Manhattan. An impressive Bank Building in the financial center of New York. Many limousines are parked, uniforms and plain-clothed CHAUFFEURS waiting quietly.
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INT NITE:
DON'S OFFICE (SPRING 1946) HAGEN alone in the office. He is drinking. He looks up at the sound of cars; the CAPOREGIMES are arriving. Then he hears footsteps.
>> The Godfather教父 1972 Movie Script
INT NITE:
DON'S BEDROOM (SPRING 1946) The DON in his hospital bed. Asleep under sedation. HAGEN hesitates. He cannot go in; he cannot tell the OLD MAN. He closes the door.
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INT NITE:
UPSTAIRS (SPRING 1946) TOM proceeds up stairs, and quietly in the direction of the DON's room. He opens the DON's door. Looks in.
>> The Godfather教父 1972 Movie Script
INT NITE:
DON'S LIVING ROOM (SPRING 1946) View on HAGEN's ashen face in the living room. He is silent a moment, and then:
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EXT NITE:
TOLL BOOTHS (SPRING 1946) SONNY extends his hand with a coin at the toll booth.
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INT NITE:
FUNERAL PARLOR EMBALMING ROOM (SPRING 1946) They carry the CORPSE to one of the tables in the embalming room.
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EXT NITE:
FUNERAL PARLOR ALLEY (SPRING 1946) The tires of a car roll very quietly along the small alley; we notice a dark car approach the rear of BONASERA's funeral parlor.
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INT NITE:
FUNERAL PARLOR (SPRING 1946) BONASERA walks through the darkened funeral parlor, without turning on the lights; then into the rear, preparation room, past the tables, and equipment. He operates the chain that lifts a large overhead garage type door. And looks out into the alley.
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EXT NITE:
FUNERAL PARLOR (SPRING 1946) With his ring of keys, he opens the funeral parlor, enters.
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EXT NITE:
TOLL BOOTHS (SPRING 1946) SONNY in his car; driving back. Still breathing hard and still furious. Then he thinks it's funny; he enjoyed it.
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EXT DAY:
CAUSEWAY (SPRING 1946) SONNY's car on the Jones Beach Causeway, speeds quickly by.
>> The Godfather教父 1972 Movie Script
INT DAY:
DON'S KITCHEN (SPRING 1946) In the kitchen at the Mall, MAMA cannot understand the whispering and she has given the phone to SONNY.
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INT DAY:
CONNIE'S BEDROOM (SPRING 1946) She runs into the bedroom; he follows. She moves into a corner, and then like a desperate animal, tries to hide under the bed.
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INT DAY:
CONNIE'S APT. (SPRING 1946) CONNIE and CARLO's apartment. She's in a slip, on the phone.
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EXT DAY:
MALL (SPRING 1946) SOME of the CORLEONE GRANDCHILDREN play in the enclosed Mall, in the proximity of the BUTTON MEN stationed liberally by the gate.
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INT DAY:
DON'S DINING ROOM (SPRING 1946) The FAMILY, WIVES, CHILDREN and all sit around the table over Sunday dinner. SONNY is at the head of the table.
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INT. DAY:
DON'S STAIRS AND HALL (SPRING 1946) HAGEN is very upset as he comes down the Stairs; SONNY is expansive and optimistic.
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INT DAY:
DON'S BEDROOM (SPRING 1946) All the MEN of the family stand around the hospital bed with grim faces, SONNY and HAGEN closest to the OLD MAN. The DON does not speak, yet he asks questions with his looks and glances, as clearly as if they were verbalized. HAGEN is the spokesman for the family.
>> The Godfather教父 1972 Movie Script
INT DAY:
DON'S DINING ROOM (SPRING 1946) The mood is quite happy downstairs, as the WOMEN prepare the Sunday dinner, and set the table.
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INT DAY:
DON'S BEDROOM (SPRING 1946) The DON is made comfortable in his room, which has all but been converted into a hospital room, with complete and extensive equipment. The various CHILDREN get a turn to kiss the OLD MAN, as he is made comfortable... and then SONNY indicates that all the CHILDREN, WOMEN, and CARLO should leave.
>> The Godfather教父 1972 Movie Script
INT DAY:
DON'S HALL (SPRING 1946) Inside the Main CORLEONE House: Hospital ORDERLIES carry the DON on his stretcher carefully under the watchful eyes of CLEMENZA, TESSIO, LAMPONE and various GUARDS and BUTTON MEN.
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