Paul hands the receiver to Mammoliti, who hangs up.
We PAN across the faces in the room:
Mammoliti's men, along with the Constable, his wife, and, to one side, Cinquanta.
Mammoliti offers his hand to Paul.
MAMMOLITI (CONT'D) Come now, Paul. There will be no more foolishness.
The boy places a hand over the ear that's been shorn andcleaned, as if trying to protect it.
MAMMOLITI (CONT'D) Come.
Paul takes Mammoliti's hand. They walk out of the stationhand-in-hand, into the street, where Mammoliti's car awaits.
The rear door opens, they climb inside, and the Mercedes vanishes into the darkness.
后门打开，他们爬进去，奔驰消失在黑暗中。
INT. GAIL'S APARTMENT -- NIGHT Gail stands frozen with the dead receiver in her hand.
CUT TO:
The apartment is overrun by Squadra Mobile officers, includingDel Rovere and Corvo. The tape squeals as it rewinds, then: 81.
PAUL (O.S.) I just want to come home. You don't know how close they came.
GAIL (O.S.) I'm coming to take you home. What police station are you at?
DEL ROVERE:
(listening on headphones) Ascoltare. Pavimenti. Footsteps.
Someone approaches - PAUL (O.S.) Excuse me, where am I? Dove sono io - CLICK. The line goes dead.
DEL ROVERE:
Someone breaks the connection.
GAIL:
He was in a police station. Nothingcould happen to him there, right?
CHACE:
It could have been a bad connection.
It's Italy. Nothing works right.
CORVO:
No. Everything works differently.
GAIL:
He was safe. He said he was safe.
He was in this room, just now, talkingto me. He can't just be gone.
DEL ROVERE:
Keep the line open. He'll call back.
We will wait as long as it takes.
EXT. WHEATFIELD/BARN -- NIGHT The fire in the fields has burned itself out; ASHES dance inthe air like snowflakes. Paul rides in the backseat with Mammoliti. Cinquanta rides up front with Sgro.