One side of Getty's face has gone completely slack:
he'sobviously suffered a stroke in the night. He steps into hisslippers and shuffles along the marble floors in his pajamas - INT. GETTY MANSION -- NIGHT -- into a granite corridor peopled by stone figures fromanother age. He has no idea where he is.
CUT TO:
PAUL GETTY:
as he runs into the eerie, cobblestoned village of Lagonegro.
We can hear the DOGS BARKING in the distance:
the policecordon has encircled the village and is drawing closer. INT. BARBER SHOP -- EVENING Paul wanders into the shop, his head covered in bandages.
PAUL:
Please let me in. Rifugio, prego.
They're after me.
The Barber slowly pushes Paul backwards, out of his shop.
BARBER:
Non posso coinvolto. I can't getinvolved.
非posso coinvolto。我不能参与。
PAUL:
My name is Paul Getty. I was kidnapped.
BARBER:
I know who you are.
The Barber locks the front door and pulls down the blind.
THE N'DRAGHETA stalk through the street in their black suits, four abreast.
Cinquanta trails along. The villagers avoid eye contact.
GAIL GETTY:
113.
hurries through twilight streets, calling Paul's name.
GAIL:
Scusi. Have you seen a teenage boy, curly hair, American -The VILLAGERS turn away from her and hurry into their homes.
PAUL GETTY:
knocks on front doors, one after another. The people inside draw their curtains shut.
PAUL:
Rifugio, Prego! Let me in, please!
FLETCHER CHACE:
walks on the opposite side of the square from Gail, casting quick glances down hushed, narrow alleyways.
He makes eye contact with one of the N'Dragheta. A look passes between them.
Chace hurries on. He dares not call out Paul's name. He pats himself down, searching for a gun that isn't there. He kicks a loose cobblestone and picks it up.
THE CARABINERI:
move through the streets, conducting a house-to-house search.
PAUL GETTY:
rounds a corner, glimpses the Carabineri, and backs away fearfully. He ducks down a narrow street.
CHACE (O.S.) Paul.
Paul turns:
Fletcher Chace stands at the end of the street. CHACE (CONT'D) I'm here to take you home.