杀死比尔Kill Bill Movie Script

BILL:

You know I just had a great idea.

Take the roses, and spread the petals on the bed I just got for her. That'd be a nice thing to come home to, wouldn't it, a bed of roses.

JOSEPHINA:

Oh, she'll love that Mr. Bill.

BILL:

You wouldn't mind doing that for me, would you Josephina?

JOSEPHINA:

No, not at all.

FLASH ON:

EX CU The BRIDE'S EYE ....watching.... We follow behind Bill as he moves through his house...He slips on his jacket...Grabs his keys...TWO energetic GERMAN SHEPHERDS follow him out the front door onto his driveway.

On his way to his silver Porsche, he roughhouse plays with the dogs, speaking to them in Spanish. When he gets to the sports-car, the dogs won't leave him alone, and one jumps on the Porsche. He yells at it in Spanish; BILL(SPANISH) Get the f*** off the car, Lucy, Lucy, down!

FLASH ON:

EX CU The BRIDE'S EYE ...watching... The gates in front of Bill's Hacienda home open, and his silver Porsche hits the streets running.

FLASH ON:

EX CU The Bride ...watching... A SUSPENSE THEME PLAYS OVER THE SHOTS of The Bride's Eye every time we cut to it. Over the SHOTS OF BILL DRIVING we hear a SPANISH TRAGIC LOVE BALLAD, coming from the car radio.

BILL:

driving his convertible as the beach WHIZZES by in the background.

The Bride's eye.

Dirt Road, lined by greener than green trees, the Porsche kicks up dirt ZOOMING down it.

CU BILL:

driving as the Spanish love song plays.

The Bride's eye.

A striking but antiseptic-looking INSTITUTION of some sort, surrounded by the beautiful foliage of Mexico. Bill's silver Porsche drives up its driveway.

The Bride's eye.

INT. INSTITUTION The institution is not Spanish in style, but on the contrary it's a clinical new-age box-like structure made up of clear glass doors and walls and the color beige.

Bill walks through the glass doors, to a lone Asian FEMALE RECEPTIONIST, her desk is the only furniture in the lobby. In JAPANESE he explains to her his reason for being there.

EX CU The BRIDE'S EYE ...watching...we now leave any shot of Bill not from the Bride's perspective. The SUSPENSE THEME is STRETCHED TIGHTER and TIGHTER as we look through the Bride's POV and listen to her VO; THE BRIDE(V.O.) The attentive audience members among you will have probably noticed, that all my kills have been straight up fights.

The Bride's POV:

The Glass-enclosed Institution, and Bill standing by himself in the empty lobby.
玻璃围住了学院，比尔独自站在空荡荡的大厅里。

THE BRIDE(V.O.) Y'all figured I'd face him with my Hanzo sword, aye? Well, I figured Bill figured the same thing. I am the product of three godfathers.

Bill, Pai Mei, and Hattori Hanzo.

Different teachers teach you different things. But one thing I learned from all three, was "in combat, the opponent that does the unexpected, can usually expect to be the victor." Bill would never see this coming. Not from me. And least any of you judge me a bushwhacker, remember...It was Bill who taught me how to shoot.

As the Bride has said these things, WE'VE seen INSERTS of her putting together her high-powered scope rifle. Snapping on the scope sight. Setting the FOCUS through the CROSSHAIRS.

Loading the heavy-duty AMMO. Curling her long white finger around the rifle's TRIGGER.