老无所依No Country for Old Men Movie Script

杰瑞发布于2022-10-20

Synopsis:While out hunting, Llewelyn Moss (Josh Brolin) finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Chigurh (Javier Bardem) picks up his trail. Also looking for Moss is Sheriff Bell (Tommy Lee Jones), an aging lawman who reflects on a changing world and a dark secret of his own, as he tries to find and protect Moss. 老无所依的剧情简介 　　美国德克萨斯州乡村，老牛仔Moss（乔什·布洛林 饰）在猎杀羚羊时发现几具尸体，几包海洛因和200万现金。Moss决定将毒品和现金占为己有，想以此改变自己的生活，谁知却遭到冷血杀手Chigurh（哈维尔·巴登 饰）的跟踪和追杀，陷入了逃亡的险境。 　　同时，当地治安官Bell（汤米·李·琼斯 饰）也在对一连串的杀人事件进行调查，并努力保护Moss的安全。但是，让Bell感到无力绝望的是，他使尽浑身解数也无法追踪到冷血杀手，Moss的生命安全也受到严重的威胁，Bell一边缅怀父辈们的光荣岁月，一边深感现实中老无所依的悲哀。

Sheriff Bell stamps the accelerator and hits his siren.
EXT. MOTEL STREET - DAY
Point-of-view racing toward the motel:
a pickup with a rack of roof lights roars out. Tire squeals, machine-gun chatter and dog barks. The truck turns toward us, then slews around and speeds away, fishtailing.
EXT. MOTEL COURTYARD - DAY
Point-of-view turning into the central court:
a man is crawling on his belly along the veranda toward the street.
Sheriff Bell skids to a halt and gets out. We hear screams, a child crying.
Sheriff Bell jogs toward the crawling man, one hand on his holstered gun.
Behind the man on the veranda is his abandoned machine pistol.
He is a Mexican in a guyabera.
Sheriff Bell yells at a scared face in a cracked door:
BELL:
Call police.
He is still jogging. A glance to the side: Rough point-of-view of a woman's body, belly-down at the lip of the pool, head and upper torso in the water.
Rough point-of-view forward:
an open room door. Booted feet stick out.
Sheriff Bell arrives. Moss is face-up, mostly inside the room. The new gun bag is next to him. The gun is in hand.
He is still.
Voices. Sheriff Bell glances off.
BELL:
...Call your local law enforcement.
I'm not on their radio.
EXT. MOTEL - NIGHT Night. The entrance is blocked by police vehicles.
People stand around in knots. Sheriff Bell is talking to the local sheriff. A door slam attracts his look.
Carla Jean has gotten out of the far side of a cab. On the near side the driver is leaning in to help her mother out.
After a couple of rocking attempts she has enough inertia to come to her feet outside the vehicle.
Carla Jean is advancing slowly toward Sheriff Bell, taking in the scene.
Sheriff Bell steps toward her.
Her eyes track his hand as he raises it to his hat. He takes it off.