肖申克的救赎Shawshank Redemption Movie Script

ANDY:

(smiles) I thought you had more faith in me than that.

（微笑）我以为你对我更有信心。

RED:

I'm sure you're good, but all that paper leaves a trail. Anybody gets too curious -- FBI, IRS, whatever -- that trail's gonna lead to somebody.

我相信你很好，但所有这些文件都留下了痕迹。任何人都太好奇了——联邦调查局、美国国税局，无论什么——这条线索都会指向某人。

ANDY:

Sure it will. But not to me, and certainly not to the warden.

当然会的。但对我来说不是，当然对监狱长也不是。

RED:

Who then?

ANDY:

Peter Stevens.

彼得·史蒂文斯。

RED:

Who?

ANDY:

The silent, silent partner. He's the guilty one, your Honor. The man with the bank accounts. That's where the filtering process starts.

沉默的，沉默的伙伴。法官大人，他才是罪魁祸首。那个有银行账户的人。这就是过滤过程开始的地方。

They trace it back, all they're gonna find is him.

他们追踪回来，只会找到他。

RED:

Yeah, okay, but who the hell is he?

是啊，好吧，但他到底是谁？

ANDY:

A phantom. An apparition. Second cousin to Harvey the Rabbit.

一个幽灵。幽灵。兔子哈维的堂兄。

(off Red's look) I conjured him out of thin air. He doesn't exist...except on paper.

（避开瑞德的目光）我凭空变出了他。他不存在。。。除了纸上。

RED:

You can't just make a person up.

你不能只是编造一个人。

ANDY:

Sure you can, if you know how the system works, and where the cracks are. It's amazing what you can accomplish by mail. Mr. Stevens has a birth certificate, social security card, driver's license.

当然可以，如果你知道这个系统是如何工作的，以及裂缝在哪里。你通过邮件能完成的事情太神奇了。史蒂文斯先生有出生证明、社会保障卡和驾照。

They ever track those accounts, they'll wind up chasing a figment of my imagination.

如果他们追踪这些账户，他们最终会追逐我想象中的虚构。

RED:

Jesus. Did I say you were good?

天啊。我说过你很好吗？

You're Rembrandt.

你是伦勃朗。

ANDY:

It's funny. On the outside, I was an honest man. Straight as an arrow. I had to come to prison to be a crook.

168EXT -- PRISON YARD -- DUSK (1965)

RED:

Does it ever bother you?

ANDY:

I don't run the scams, Red, I just process the profits. That's a fine line, maybe. But I've also built that library, and used it to help a dozen guys get their high school diplomas. Why do you think the warden lets me do all that?

RED:

To keep you happy and doing the laundry. Money instead of sheets.

ANDY:

I work cheap. That's the trade-off.

TWO SIREN BLASTS draw their attention to the main gate. It swings open, revealing a prison bus waiting outside.

169INT -- PRISON BUS -- DUSK (1965) 169 Among those on board is TOMMY WILLIAMS, a damn good-looking kid in his mid-20's. The bus RUMBLES through the gate.

170EXT -- PRISON YARD -- DUSK (1965) 170 The new fish disembark, chained together single-file. The old- timers holler and shake the fence. A deafening gauntlet.