She looks directly into his eyes, he returns the look, so directly that we know he will tell the truth.
MICHAEL:
(after a very long pause) No.
KAY is relieved; she throws her arms around him, and hugs him. Then she kisses him.
KAY:
(through her tears) We both need a drink.
INT DAY:
DON'S KITCHEN (1955) She moves back into the kitchen and begins to prepare the drinks. From her vantage point, as she smilingly makes the drinks, she sees CLEMENZA, NERI and ROCCO LAMPONE enter the house with their BODYGUARDS.
She watches with curiosity, as MICHAEL stands to receive them. He stands arrogantly at ease, weight resting on one foot slightly behind the other. One hand on his hip, like a Roman Emperor. The CAPOREGIMES stand before him.
CLEMENZA takes MICHAEL's hand, kissing it.
CLEMENZA:
Don Corleone... The smile fades from KAY's face, as she looks at what her husband has become.
INT DAY:
CHURCH (1955) KAY wears a shawl over her hand. She drops many coins in the coin box, and lifts a burning taper, and one by one, in a pattern known only to herself, lights thirty candles.
