The Godfather: Part II 教父2 1974 Movie Script

杰瑞发布于2024-03-28

The compelling sequel to "The Godfather", contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.

(he peeks) I'm right. Only two hundred dollars.
VITO:
(Sicilian) I'm a little short. I've been out of work. Let me owe you the money for a few weeks.
FANUCCI:
(Sicilian) Ah, you're a sharp young fellow.
How is it I've never noticed you before (he takes the two hundred and pours some wine for Vito) You're too quiet for your own interest. I could find some work for you to do that would be very profitable.
(he rises) No hard feelings, eh? If I can ever do you a service let me know.
You've done a good job for yourself tonight.
EXT. FESTA STREET - MED. VIEW - NIGHT By now the musicians have left, but still families are walking the street, and stopping at the booths.
Fanucci stands there a moment; he is known by everyone, and considers himself highly loved.
Then Fanucci begins the walk through the festa, on his way home.
EXT. ROOFTOPS - MOVING VIEW - NIGHT Vito silently moves along the rooftop; paralleling Fanucci's walk.
We HEAR the sounds of the festa, and every so often catch a glimpse of the patterned lights, and the crowds below.
EXT. FESTA STREETS - MOVING VIEW ON FANUCCI - NIGHT walking through the crowded streets. The statue of San Gennaro is arranged in some midnight religious ceremony.
The VIEW LIFTS UP, to the rooftops.
EXT. THE ROOFTOPS - NIGHT Vito makes the leap that separates two buildings; then crosses toward the large skylight in the center of the building.
EXT. THE STREETS - NIGHT The procession in the streets is preceded by ten altar boys; and the glittering Monstrance, something of an altar carried out into the streets.
The priest begins this nocturnal service, as the crowds in the street kneel down in prayer.
INT. FANUCCI'S BUILDING - NIGHT Fanucci unlocks the door to his building; we can HEAR the services in the background.
EXT. THE ROOFTOP - NIGHT Vito tries the trap door on the roof; it is stuck firmly shut; despite Clemenza's instructions. He struggles with it, but no luck.
From the distance, the Choir begins to Latin. Vito moves around the skylight, to an identical trap, tries this one; it opens.
EXT. THE MONSTRANCE - MED. VIEW ON THE PRIEST - NIGHT performing the services in Latin. The ten altar boys are in attendance.
EXT. THE ROOFTOP - NIGHT Vito reaches down into the trap, and pulls out the newly oiled gun that has been left for him. He slides down into the building.
INT. FANUCCI'S HALLWAY - DOWN ANGLE - NIGHT Fanucci proceeds up the staircase with loud, heavy steps.
An OLD WOMAN on one of the flights sees him, and immediately moves to her apartment.
FANUCCI:
(Sicilian) What's the matter, Signora? You don't say 'good evening'?
WOMAN:
(Sicilian) 'Good evening,' Signor Fanucci.