The Godfather: Part II 教父2 1974 Movie Script

杰瑞发布于2024-03-28

The compelling sequel to "The Godfather", contrasting the life of Corleone father and son. Traces the problems of Michael Corleone (Al Pacino) in 1958 and that of a young immigrant Vito Corleone (Robert De Niro) in 1917's Hell's Kitchen. Michael survives many misfortunes and Vito is introduced to a life of crime.
HAGEN:
He's in the boathouse.
INT. THE BOATHOUSE - MED. VIEW - DAY Michael sits quietly in the darkened room in one of the big sofas, dressed immaculately in suit and tie. His two children, also dressed for the wake sit opposite him in the other oversized sofa, their shoes not touching the floor.
We regard this tableau for a long moment.
CONNIE (O.S.) (quietly) Michael? It's Connie.
She comes in, and sits down by his knees.
CONNIE:
I want to stay close to home now, is that alright?
Michael nods.
CONNIE:
Is Kay coming?
MICHAEL:
No.
CONNIE:
Michael, Fredo's in the house with Mama. He asked for you, and Tom said he couldn't see you.
MICHAEL:
Tom is right.
CONNIE:
Kids, why don't you go outside for a while?
The children don't move; Connie realizes they will only listen to Michael.
CONNIE:
I want to talk to you, Michael.
MICHAEL:
The children can stay.
CONNIE:
I hated you for so long, Michael; for so many years. I think I did things to myself, to hurt myself, so that you would know -- and you would be hurt too. But I understand you now; I think I do. You were being strong for all of us, like Papa was. And I forgive you, and want to be close to you now. Can't you forgive Fredo; he's so sweet, and helpless without you.
Slowly, Michael puts his hand on her hair, and touches her gently.
CONNIE:
You need me, Michael. I want to be with you now.
INT. MICHAEL'S HOUSE - DAY Friends, relatives; Francesca and her new husband, Gardner and their baby; Sandra Corleone; Teresa, her children; all the familiar faces of the family are present, quietly paying their respects to Mama.
Some of the men can be seen in the kitchen, drinking wine, and talking in low voices.
Fredo is there, broken-hearted over the loss of his Mother; like some lost child with no friends.
MED. VIEW Michael enters the room, followed by Connie, who tends little Mary and Anthony.
He approaches his brother, and then embraces. Fredo breaks into tears.
FREDO:
Christ, Mike. Jesus Christ, Mike.
VIEW ON MICHAEL:
embracing his brother, he glances up.