指环王3：王者归来The Lord of the Rings: The Return of the King Movie Script

杰瑞发布于2025-04-28

魔幻战争逐渐进入高潮阶段。霍比特人佛罗多（伊利亚·伍德 Elijah Wood 饰）携带着魔戒，与伙伴山姆（西恩·奥斯汀 Sean Astin 饰）以及狡猾阴暗的咕噜等前往末日山，一路上艰难险阻不断，魔君索伦为阻止魔戒被销毁用尽全力阻挠。另一方面，白袍巫师甘道夫（伊恩·麦克莱恩 Ian McKellen 饰）率中土勇士们镇守刚铎首都——白城米那斯提里斯。魔兽大军压境，黑暗与光明的决战即将来临……

CONTINUED:
ARAGORN smiles . . . reaching past her, he lifts a cover to reveal a SWORD, strapped to the side of the saddle of her HORSE.
EOWYN deftly pulls the cover back down. She looks at ARAGORN.
EOWYN (cont'd) (softly) The Men have found their Captain - they will follow you into battle, even to death.
(quietly) You have given us hope.
PULL BACK:
to reveal THEODEN stares around at the STREETS and PEOPLE of EDORAS . . . it is as if he knows he will not see this place again.
THEODEN V/0 So . . . It is before the walls of Minas Tirith that the doom of our time will be decided.
ANGLE ON:
EOMER astride his horse, calls to the assembled SOLDIERS . . .
EOMER:
Now is the hour! Riders of Rohan - oaths you have taken. Now, fulfil them all - to Lord and land!
EXT. PLAINS OF ROHAN - DAY
ANGLE ON:
THEODEN astride SNOWMANE, as he, EOMER, ARAGORN & MERRY and LEGOLAS & GIMLI ride out AMID a GREAT COLUMN of ROHIRRIM, THUNDERING towards DUNHARROW in the MOUNTAINS.
EXT. WEST OSGILIATH, RIVER ANDUIN - DAY
ANGLE ON:
FARAMIR and his MEN are fighting a losing BATTLE against the MORDOR invasion.
MADRIL:
We can't hold them. The city is lost!
(CONTINUED) Final Revision - October, 2003 46.
FARAMIR:
Tell the men to break up. We ride for Minas Tirith.
ON THE SOUNDTRACK:
OMINOUS SOUNDS of WIND RISING ... HUGE WINGS BEATING ...
RANGER:
Nazgul!
SPINNING ANGLE:
FARAMIR looks up at the SKY . . . ITHILIEN RANGERS are suddenly nervous, frightened . . . A HUGE SHADOW passes overhead!
FARAMIR:
Take cover!
A SUDDEN TERRIFYING SHRIEK rends the AIR!
FARAMIR (cont'd) Pull back! Pull back to Minas Tirith!
ANGLE ON:
SOLDIERS RETREATING through the RUINS of the CITY as, high in the sky above, the NAZGUL swoop ...
ANGLE ON:
MADRIL as he is cut down by an ORC . . .
CLOSE ON:
MADRIL . . . his breathing quick and shallow . . .
footsteps approach . . .