泰坦尼克号 Titanic (1997) Movie Script

杰瑞发布于2024-09-08

  1912年4月10日,号称 “世界工业史上的奇迹”的豪华客轮泰坦尼克号开始了自己的处女航,从英国的南安普顿出发驶往美国纽约。富家少女罗丝(凯特•温丝莱特)与母亲及未婚夫卡尔坐上了头等舱;另一边,放荡不羁的少年画家杰克(莱昂纳多·迪卡普里奥)也在码头的一场赌博中赢得了下等舱的船票。   罗丝厌倦了上流社会虚伪的生活,不愿嫁给卡尔,打算投海自尽,被杰克救起。很快,美丽活泼的罗丝与英俊开朗的杰克相爱,杰克带罗丝参加下等舱的舞会、为她画像,二人的感情逐渐升温。   1912年4月14日,星期天晚上,一个风平浪静的夜晚。泰坦尼克号撞上了冰山,“永不沉没的”泰坦尼克号面临沉船的命运,罗丝和杰克刚萌芽的爱情也将经历生死的考验。 Titanic; the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the "ship of dreams" -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912.

There is only the wind, and the hiss of the water 50 feel below.
ROSE:
I'm flying!
She leans forward, arching her back. He puts his hands on her waist to steady her.
JACK:
(singing softly) Come Josephine in my flying machine... Rose cleses her eyes, feeling herself floating weightless far above the sea. She smiles dreamily, then leans back, gently pressing her back against his chest. He pushes forward slightly against her.
Slowly he raises his hands, arms outstretched, and they meet hers... fingertips gently touching. Then their fingers intertwine. Moving slowly, their fingers caress through and around each other like the bodies of two lovers.
Jack tips his face forward into her blowing hair, letting the scent of her wash over him, until his cheek is agianst her ear.
Rose turns her head until her lips are near his. She lowers her arms, turning further, until she finds his mouth with hers. He wraps his arms around her from behind, and they kiss like this with her head turned and tilted back, surrendering to him, to the emotion, to the inevitable. They kiss, slowly and tremulously, and then with building passion.
Jack and the ship seem to merge into one force of power and optimism, lifting her, buoying her forward on a magical journey, soaring onward into a night without fear.
100 IN THE CROW'S NEST, high above and behind them, lookout FREDERICK FLEET nudges his mate, REGINALD LEE, pointing down at the figures in the bow.
FLEET:
Wish I had those bleedin' binoculars.
101 JACK AND ROSE, embracing at the bow rail, DISSOLVE SLOWLY AWAY, leaving the ruined bow of the WRECK--
CUT TO:
102 INT. KELDYSH IMAGING SHACK OLD ROSE blinks, seeming to come back to the present. She sees the wreck on the screen, the sad ghost ship deep in the abyss.
ROSE:
That was the last time Titanic ever saw daylight.
Brock Lovett changes the tape in the minicassette recorder.
BROCK:
So we're up to dusk on the night of the sinking. Six hours to go.
BODINE:
Don't you love it? There's Smith, he's standing there with the iceberg warning in his f***ing hand... (remembering Rose) ... excuse me... in his hand, and he's ordering more speed.
BROCK:
26 years of experience working against him. He figures anything big enough to sink the ship they're going to see in time to turn. But the ship's too big, with too small a rudder... it can't corner worth sh*t. Everything he knows is wrong.
ROSE is ignoring this conversation. She has the art-nouveau comb with the jade butterfly on the handle in her hands, turning it slowly. She is watching a monitor, which shows the ruins of Suite B-52/56. PUSH IN until the image fills frame.
TRANSITION:
103 INT. ROSE'S SUITE ... 1912. Like in a dream the beautiful woodwork and satin upholstery emerge from the rusted ruin. Jack is overwhelmed by the opulence of the room. He sets his sketchbood and drawing materials on the marble table.
ROSE:
Will this light do? Don't artists need good light?
JACK:
(bad French accent) Zat is true, I am not used to working in such 'orreeble conditions.
(seeing the paintings) Hey... Monet!
He crouches next to the paintings stacked against the wall.
JACK:
Isn't he great... the use of color? I saw him once... through a hole in this garden fence in Giverny.
She goes into the adjoining walk-in wardrobe closet. He sees her go to the safe and start working the combination. He's fascinated.