泰坦尼克号 Titanic (1997) Movie Script

杰瑞发布于2024-09-08

　　1912年4月10日，号称 “世界工业史上的奇迹”的豪华客轮泰坦尼克号开始了自己的处女航，从英国的南安普顿出发驶往美国纽约。富家少女罗丝（凯特•温丝莱特）与母亲及未婚夫卡尔坐上了头等舱；另一边，放荡不羁的少年画家杰克（莱昂纳多·迪卡普里奥）也在码头的一场赌博中赢得了下等舱的船票。 　　罗丝厌倦了上流社会虚伪的生活，不愿嫁给卡尔，打算投海自尽，被杰克救起。很快，美丽活泼的罗丝与英俊开朗的杰克相爱，杰克带罗丝参加下等舱的舞会、为她画像，二人的感情逐渐升温。 　　1912年4月14日，星期天晚上，一个风平浪静的夜晚。泰坦尼克号撞上了冰山，“永不沉没的”泰坦尼克号面临沉船的命运，罗丝和杰克刚萌芽的爱情也将经历生死的考验。 Titanic; the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the "ship of dreams" -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912.
She spies something else, a silver and moonstone art-nouveau brooch.
ROSE:
My mother's brooch. She wanted to go back for it. Caused quite a fuss.
Rose picks up an ornate art-nouveau HAIR COMB. A jade butterfly takes flight on the ebony handle of the comb. She turns it slowly, remembering.
We can see that Rose is experiencing a rush of images and emotions that have lain dormant for eight decades as she handles the butterfly comb.
LOVETT:
Are you ready to go back to Titanic?
CUT TO:
29 INT. IMAGING SHACK / KELDYSH It is a darkened room lined with TV monitors. IMAGES OF THE WRECK fill the screens, fed from Mir One and Two, and the two ROVs, Snoop Dog and DUNCAN.
BODINE:
Live from 12,000 feet.
ROSE stares raptly at the screens. She is enthraled by one in particular, an image of the bow railing. It obviously means something to her. Brock is studying her reactions carefully.
BODINE:
The bow's struck in the bottom like an axe, from the impact. Here... I can run a simulation we worked up on this monitor over here.
Lizzy turns the chair so Rose can see the screen of Bodine's computer. As he is calling up the file, he keeps talking.
BODINE:
We've put together the world's largest database on the Titanic. Okay, here...
LOVETT:
Rose might not want to see this, Lewis.
ROSE:
No, no. It's fine. I'm curious.
Bodine starts a COMPUTER ANIMATED GRAPHIC on the screen, which parallels his rapid-fire narration.
BODINE:
She hits the berg on the starboard side and it sort of bumps along... punching holes like a morse code... dit dit dit, down the side. Now she's flooding in the BODINE (cont'd) forward compartments... and the water spills over the tops of the bulkheads, going aft. As her bow is going down, her stern is coming up... slow at first... and then faster and faster until it's lifting all that weight, maybe 20 or 30 thousand tons... out of the water and the hull can't deal... so SKRTTT!!
(making a sound in time with the animation) ... it splits! Right down to the keel, which acts like a big hinge. Now the bow swings down and the stern falls back level... but the weight of the bow pulls the stern up vertical, and then the bow section detaches, heading for the bottom. The stern bobs like a cork, floods and goes under about 2:20 a.m. Two hours and forty minutes after the collision.
The animation then follows the bow section as it sinks. Rose watches this clinical dissection of the disaster without emotion.
BODINE:
The bow pulls out of its dive and planes away, almost a half a mile, before it hits the bottom going maybe 12 miles an hour. KABOOM!
The bow impacts, digging deeply into the bottom, the animation now follows the stern.
BODINE:
The stern implodes as it sinks, from the pressure, and rips apart from the force of the current as it falls, landing like a big pile of junk.
(indicating the simulation) Cool huh?
ROSE:
Thank you for that fine forensic analysis, Mr. Bodine. Of course the experience of it was somewhat less clinical.
LOVETT:
Will you share it with us?
Her eyes go back to the screens, showing the sad ruins far below them.
A VIEW from one of the subs TRACKING SLOWLY over the boat deck. Rose recognizes one of the Wellin davits, still in place. She hears ghostly waltz music. The faint and echoing sound of an officer's voice, English accented, calling "Women and children only".