INT./EXT. HALL AND STREET, RUINED VILLA - DAY Cautiously, in his German military overcoat, Szpilman trots down the staircase into the empty hall.
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EXT. STREETS NEAR RUINED VILLA - DAY Freezing weather.
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INT. ATTIC AND LOFT AREA, RUINED VILLA - DAY Szpilman, listening and shivering with cold. He hears the whistle. He opens the trapdoor to see the German Captain in the attic, carrying a package.
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The Germans are evacuating the villa. Men carry out boxes, filing cabinets, desks, papers and load them into trucks.
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EXT. RUINED VILLA - DAY Snow. The sound of distant gunfire.
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INT. HALL, ROOMS, RUINED VILLA - DAY
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EXT. RUINED VILLA - NIGHT The German Captain strides out of the villa, down the front steps to a waiting car and a driver. He gets into the car.
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INT. ATTIC AND LOFT AREA, RUINED VILLA - NIGHT Szpilman and the German Captain enter.
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INT. ROOMS, RUINED VILLA - NIGHT Szpilman follows the German Captain through a double door, hanging off its hinges, into a room with a broken table in the centre, what once was the dining room. And then through another set of doors. The German Captain's boots echo.
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INT. KITCHEN, RUINED VILLA - NIGHT Szpilman has placed the tin and the weight on a shelf and is engrossed in searching again. He finds a pair of chicken scissors. Using the weight, he starts to hammer the point of the scissors into the tin making a perforation round the rim.
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INT. BACK STAIRS, RUINED VILLA - NIGHT Szpilman, a shadow, a spectre, creeps down the stairs.
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INT. LOFT, RUINED VILLA - NIGHT Szpilman wakes suddenly. He listens. Silence but for the distant gunfire. He sees the unopened tin of pickles, stares at it. He opens the trapdoor.
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INT. ATTIC AND LOFT, RUINED VILLA - EVENING Szpilman enters, closing the small door behind him. He leans back, resting, recovering.
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INT. TOP FLOOR, RUINED VILLA - EVENING Szpilman, panting heavily, reaches the top floor. He sees a small door, tries it. It opens.
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INT. BACK STAIRS, RUINED VILLA - EVENING Szpilman, clutching the unopened tin, makes his way up the narrow, wooden staircase.
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INT. KITCHEN, RUINED VILLA - EVENING Dark, shadowy.
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INT. HALL, RUINED VILLA - EVENING Szpilman enters the hall, still showing signs of its former opulence. I Silent. Ominous.
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EXT. RUINED VILLA - EVENING Cautiously, Szpilman limps towards the villa, a once grand building, but now partly damaged by shell fire.
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INT. DOROTA'S VILLA - MORNING Szpilman asleep on the sofa. The sound of a cello. He opens his eyes. Listens.
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INT. DOROTA'S VILLA - NIGHT Szpilman follows Dorota into the living room.
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INT. VILLA, NARBUTT STREET - NIGHT He goes to the front door, rings the bell and waits.
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He comes to a villa.
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INT. THE VILLA - SUMPTUOUS MED. VIEW - LATE DAY A sumptuous table is set for the visiting family from America. There is a warm atmosphere as Vito, his wife and children eat. Tomasino and his family received presents from Carmella and to Tomasino's mother, and gifts are given to all of the children.
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EXT. DON TOMASINO'S VILLA OUTSIDE OF CORLEONE - DAY The villa is bloomed with flowers and DON TOMASINO at this point is a man in his late twenties. He embraces Vitone and pats the heads of his children, and leads them all into the garden.
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