Come on, come on... The Protagonist FIRES AGAIN AND AGAIN, forcing the Earlier Protagonist closer and closer to the open turnstile... The Earlier Protagonist takes hold of the gun – the barrel coming around onto the Protagonist who instinctively EJECTS the magazine, REMOVES the SLIDE, tossing it aside, leaving the Earlier Protagonist with a useless STRIPPED AUTOMATIC – Earlier Neil RACES backwards into the other half of the room – Through the bullet-riddled glass the Protagonist sees HIMSELF (GAS MASK, BLACK CLOTHES) RUN BACKWARDS into the room – The Protagonist LEAPS INTO THE TURNSTILE – we FOLLOW the Protagonist through the machine – BURSTING OUT on the other side – straight into Earlier Neil, who now MOVES FORWARDS as the Protagonist PUSHES past – As the confrontation on the other side of the glass plays out again, FORWARDS... the Protagonist RACES for the RED DOOR, Neil in PURSUIT – INT. VAULT CORRIDOR – CONTINUOUS The Protagonist runs, pursued by Earlier Neil, skidding around the corners of the vault corridor – Earlier Neil gets a hand on the Protagonist’s GAS MASK and YANKS – it comes off in his hands... this time we see that Neil is looking at the UNMASKED PROTAGONIST. Neil, surprised, turns and BOLTS back the way he came – the Protagonist watches him go, then TURNS – INT. VAULT CORRIDOR – CONTINUOUS The Protagonist races down the angled corridor – The Protagonist SKIDS through the doorway leading out of the corridor and into the SMOKE-FILLED cargo area where he left... INT. VAULT 2, FREEPORT – CONTINUOUS Neil races up to the Earlier Protagonist, grab his arm –
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