词汇：now

adv. 现在；立刻；如今

相关场景

CARTER (in doorway) Now, if you'll cooperate, I'd like to finish with you by tonight.
>> It's a Wonderful Life Movie Script
(leading him into office) . . . now, come right in here, Mr.
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GEORGE (on phone) . . . now tell me about it.
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GEORGE (on phone) He's not here right now, Harry.
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COUSIN EUSTACE:
George! George! It's Harry now on long distance from Washington!
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(gives them papers) Now look, this is for you. This is for you, this is for you.
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FRANKLIN'S VOICE Joseph, now show him what happened today.
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GEORGE:
Hold on . . . hold on . . . hold on now. Don't you know there's a war on?
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JOSEPH'S VOICE Now, you've probably already guessed that George never leaves Bedford Falls.
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Mary is now awake, and starts singing their theme song: MARY (singing) Buffalo Gals, won't you come out tonight, won't you come out tonight, won't you come out tonight.
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GEORGE (cont'd �� vehemently) No . . . no . . . no . . . no, now wait a minute, here! I don't have to talk to anybody! I know right now, and the answer is no!
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GEORGE (mystified) Now what's your point, Mr. Potter?
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POTTER:
Forty-five. Forty-five. Out of which, after supporting your mother, and paying your bills, you're able to keep, say, ten, if you skimp. A child or two comes along, and you won't even be able to save the ten. Now, if this young man of twenty-eight was a common, ordinary yokel, I'd say he was doing fine. But George Bailey is not a common, ordinary yokel. He's an intelligent, smart, ambitious young man � who hates his job �� who hates the Building and Loan almost as much as I do. A young man who's been dying to get out on his own ever since he was born. A young man . . . the smartest one of the crowd, mind you, a young man who has to sit by and watch his friends go places, because he's trapped. Yes, sir, trapped into frittering his life away playing nursemaid to a lot of garlic-eaters.
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POTTER:
The envious ones say that, George, the suckers. Now, I have stated my side very frankly. Now, let's look at your side. Young man, twenty-seven, twenty-eight . . . married, making, say . . . forty a week.
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POTTER (laughs) George, now that's just what I like so much about you.
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GEORGE:
Oh, now, don't rub it in.
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EXTERIOR STREET IN BAILEY PARK �� DAY CLOSE SHOT �� George and Mary are talking to Sam Wainwright in front of the latter's car. Hs wife, Jane, is now out of the car.
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GEORGE:
All right, kids �� here �� get in here. Now get right up on the seat there. Get the . . . get the goat!
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WIPE TO:
"Welcome home, Mr. Bailey" EXTERIOR OLD GRANVILLE HOUSE �� NIGHT MEDIUM LONG SHOT �� An old-fashioned, run-down house, unpainted and warped by the weather. It once had class but has not been lived in for years. This is the house that George and Mary will live in from now on. The rain is pouring down. A faint glow of light shines out from bottom windows.
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(to Mrs. Thompson, next in line) All right, now, Mrs. Thompson. How much do you want?
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GEORGE:
Twenty dollars. Now you're talking. Fine. Thanks, Ed.
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GEORGE:
Aw, now, Ed . . . what'll it take till the bank reopens? What do you need?
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That's why. He's picking up some bargains. Now, we can get through this thing all right. We've got to stick together, though. We've got to have faith in each other.
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GEORGE:
Tom! Tom! Randall! Now wait . . . now listen . . . now listen to me. I beg of you not to do this thing. If Potter gets hold of this Building and Loan there'll never be another decent house built in this town. He's already got charge of the bank. He's got the bus line. He's got the department stores. And now he's after us.
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GEORGE:
Now, Tom, you have to stick to your original agreement. Now give us sixty days on this.
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