词汇:reassemble

vi. 重新集合

相关场景

Weapons assemblage Leon disassembled a big weapon in front of him. Mathilda observes, very concerted. Leon reassembles it in record time.
>> 这个杀手不太冷Léon: The Professional Movie Script
INT NIGHT:
LUCA'S ROOM (WINTER 1945) LUCA BRASI's tiny room. He is partly dressed. He kneels and reaches under his bed and pulls out a small, locked trunk. He opens it, and takes out a heavy, bullet-proof vest. He puts it on, over his wool undershirt, and then puts on his shirt and jacket. He takes his gun, quickly disassembles, checks, and reassembles it. And leaves.
>> The Godfather教父 1972 Movie Script
You get that big fat kernel of starch and you can break that down and reassemble it.
>> 食品公司 Food, Inc. Movie Script
IVES:
It’s about to get distracting... He signals a RED RPG SOLDIER... IVES (CONT'D) On my mark! He looks at his watch – ‘5:01’, ‘5:00’ – Fire! IVES (CONT'D) The leaning ruin THRUSTS UPWARDS – EXT. CITY STREETS, STALSK-12 – DAY Wheeler watches as the Leaning Ruin’s UPPER STOREYS REASSEMBLE, as its BASE EXPLODES... EXT. CITY STREETS, STALSK-12 – DAY The Protagonist takes cover as the Leaning Ruin’s BASE REASSEMBLES as its UPPER STOREYS EXPLODE... the Protagonist and Ives race at the tunnel entrance – the GREY TRUCK RACES at them as they dive for the tunnel... EXT. CITY STREETS, STALSK-12 – DAY Wheeler ducks as the weight of the upper storeys COLLAPSES the building... Neil lifts his head after the EXPLO/IMPLOSION. Clear. He gets up and starts RUNNING... EXT. TUNNEL ENTRANCE, STALSK-12 – DAY The Protagonist and Ives RACE into the tunnel, HITTING A TRIPWIRE WHICH BLOWS THE TUNNEL ENTRANCE DOWN BEHIND THEM AS THEY JUMP INSIDE... EXT. PRIVATE DECK, SATOR’S YACHT – LATE AFTERNOON Sator hangs up. He holds a SILVER PILL in the sunlight, studying it...
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NEIL:
Wheeler! Get out of there! Wheeler! Wheeler hears him – tries to grab the Blue Soldier – MASSIVE CHUNKS OF CONCRETE SCRAPE OVER NEIL’S HEAD, FLYING TOWARDS WHEELER, who DIVES CLEAR – the wall REASSEMBLES ON TOP OF the Blue Soldier, CRUSHING HIM... Neil winces. Starts crawling for better cover... checks his
>> 信条Tenet Movie Script
WHEELER:
We’re coming in on the shock wave... hang on, people! – Neil GRABS his belts as WHUMMMMM!!!! The container SHUDDERS – EXT. HYPOCENTRE RIDGE, STALSK-12 – CONTINUOUS The SHOCK WAVE CONTRACTS – the Chinook ‘SURFING’ backwards in on the shock as it approaches the hypocentre... ENERGY BUILDING... GROUND LIFTING AND FLATTENING... EXT. LZ, STALSK-12 – DAY The Protagonist joins a unit of Red team soldiers who CHARGE an antiaircraft emplacement TAKING IT OUT BEFORE IT CAN FIRE ON THE SLOW-MOVING CHINOOKS... The Protagonist uses his assault rifle to take out a gunemplacement. Ives uses an inverse grenade to violently ‘reassemble’ an enemy gun emplacement out of existence, shredding the enemy with reverse shrapnel...
>> 信条Tenet Movie Script
PRIYA:
Sator’s lifelong mission, financed and guided by the future, has been to find and reassemble the algorithm.
>> 信条Tenet Movie Script
PROTAGONIST:
Neil looks up as BLACK SMOKE GATHERS, FORMING A MASSIVE CLOUD OVER THE PLANE... a SHOCK WAVE starts to BUILD in the air around them – the Protagonist PULLS Kat and Neil under the fuselage as CURTAINS of FIRE start GATHERING around the wings, CENTRED on a HALF-DESTROYED JET ENGINE – They pass through the hole in the wall LICKED AT BY FLAMES WHICH LEAVE FROST ON THEIR CLOTHES – As they clear start SHAKING CLIMAXES in a REASSEMBLES – into the building, DEBRIS in front of them – they DUCK as the MASSIVE BUILD OF ENERGY CACOPHONOUS REVERSE EXPLOSION as THE JET ENGINE LOOSELY ATTACHED TO THE WING, THRUSTING – INT./EXT. FREEPORT SHIPPING AREA – CONTINUOUS The Protagonist draws his gun – turns to Neil –
>> 信条Tenet Movie Script
The door opens – they slip into the outer vault – INT. OUTER VAULT, FREEPORT – MOMENTS LATER They reassemble the document frames, then LIE DOWN, ‘unconscious’ – EMERGENCY SERVICES BURSTS IN... INT. HOTEL ROOM, OSLO – DAWN Neil hangs up his phone –
>> 信条Tenet Movie Script
Neil looks at the Protagonist, quizzical – A LOUD HUM STARTS UP from the revolving door... the Protagonist looks down – MOVEMENT beneath his feet – the DEBRIS – SMOKE GATHERS – the revolving doors ROTATE, OPENING – a BLACK-CLAD FIGURE in a GAS MASK LEAPS BACKWARDS from the tube – reaching behind itself to GRAB the stripped automatic in the Protagonist’s hand – On Neil’s side an identical BLACK-CLAD FIGURE LEAPS out FORWARDS – knocks Neil over, moving for the vault door – A SLIDE jumps into the Backwards Figure’s hand – he REASSEMBLES the gun in the Protagonist’s hand – a MAGAZINE jumping up to LOAD IT – BLAM! A bullet is SUCKED OUT OF THE WALL – THROUGH THE GLASS – ‘HEALING’ THE BULLET HOLES – the Protagonist STRUGGLES with the Backwards Figure – whose REVERSE MOVEMENTS seem ALIEN and IMPOSSIBLE – Neil gives chase – RACING out of the vault door – The Backwards Figure pulls the Protagonist sideways, lining up his head with the next bullet hole – BLAM! GLASS FLIES UP as the shot JUST MISSES the Protagonist’s head – INT. CORRIDOR, FREEPORT – CONTINUOUS Neil CHASES the Forwards Figure down the corridor – INT. ROTAS VAULT – CONTINUOUS The Protagonist STRUGGLES – the Backwards Figure PUSHES him towards the next bullet hole, STRANGE REVERSE GROANING building in its throat, behind the black gas mask, the GROAN PEAKING AS the Protagonist takes his PICK and STABS the Backwards Figure in the arm and SMACKS the Figure’s gun out of its hand – it BOUNCES out the door – The Figure RISES into the Protagonist’s arms – PULLS him backwards – we can’t tell if it’s PUSHING or the Protagonist is PULLING as they move backwards through the door – INT. CORRIDOR, VAULT – CONTINUOUS The Figure PUSHES/PULLS the Protagonist down the corridor – INT. CORRIDOR, FREEPORT – CONTINUOUS Neil RACES around a corner, GRABS the Figure’s MASK, which COMES OFF – he looks, SURPRISED, at the Figure’s face, WHICH WE CANNOT SEE, then TURNS, RACING back the way he came... INT. CORRIDOR, FREEPORT – CONTINUOUS The Protagonist and the Backwards Figure struggle into – INT. VAULT 2, FREEPORT – CONTINUOUS They SMASH into the racks and crates – the Protagonist GRABS the gun – raises it to the Figure’s head – NEIL (O.S.) NO! Don’t kill him! The Protagonist freezes – Neil steps up, DESPERATE – NEIL (CONT'D) We need to know if you’re compromised.
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