词汇：surround

vt. 围绕；包围

相关场景

Vulture One-Six:

Target is on the move in the northeast part of the building, second floor. Zakhaev's son is seen above Soap. They move up the stairs towards the roof. There they surround and aim their guns at Zakhaev's son on the rooftop.

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Al-Asad:

!كشعبٍ واحد، سنحرر إخواننا من [؟؟؟] النفوذ الأجنبي (As one people, we will free our brethren from [???] foreign influence!) A dumpster lid is lifted slightly. A civilian head is exposed. He quickly shuts it once the car gets too close. The car approaches a highway near the bay. Waves crash against the side-rail. Soldiers run across from the right end to the left. Several jets fly across the ocean. The car turns right and follows the soldiers. On the left several soldiers surround a truck and drag the civilian driver out and throw him to the pavement. The car goes straight. On the left many civilians are lined up with their backs facing the road. Soldiers reload and aim at them. As the car passes they fire and the bodies drop in a hail of gunfire.

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CUT TO:

INT. TENT - NIGHT Cole is curled up in the tent. He lays still for a moment reaching over and FLICKING ON A FLASHLIGHT. The red interior of the tent gets LIP UP. It's a striking sight. The bedsheet walls of the tent are lined with religious pictures taped to the walls. Tiny statues of saints surround the interior perimeter. We see the statue Cole stole from the church is in here... This tent is a sanctuary made by an eight-year-old to hide in.

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JOE:

Thank you, I appreciate that. They are inches apart now, the smell of each other surrounds them, a heaviness to the moment, now Joe turns to head up the stairs.

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DREW:

(bursting) Olympic. Parrish disappears into his office. Drew, on his way out, glides past Jennifer's desk. DREW (cont'd) This is our lucky day. Jennifer acknowledges Drew with a smile, rises and moves to Parrish's doorway, waiting for the day's instructions, but Parrish only nods to the door and Jennifer quickly closes it, returns to her desk. INT. PARRISH'S OFFICE - DAY Alone in his office, Parrish's ebullient mood immediately changes. Leaning against the back of the couch, he stares out through floor-to-ceiling windows, surveying the Manhattan skyline:cogitates. He takes a seat on the couch, opens a folder, suddenly he flinches with a spasm of pain in his shoulder. It is sharp but brief, he notices it but what it does not continue, he ignores it. Parrish resumes looking at the folder when suddenly the pain comes again. He reaches for his shoulder, tries to massage the pain, it does not subside. Parrish stands, trying to shake it off, but it refuses to go away, some- thing is unmistakably wrong. Now a SOUND which he has come to recognize, makes itself heard:VOICE (V.O.) Yes. Frozen with surprise, Parrish's eyes search the room for the source of the SOUND, it comes from no particular direction, yet surrounds him. Suddenly Parrish's symptoms sharply intensify, he is sinking to the floor but somehow grabs a corner of the desk, holds on with one hand, with the other clutches at his shoulder and arm, the pain has violently seized the upper part of his body. He breaks out in a sweat, his pallor now waxen as the Voice repeats itself:VOICE (V.O., cont'd) ...Yes. Parrish grips the edge of the desk, the pain assaulting him on the one hand, the Voice coming at him from the outer, each aberration feeds on the other, he is beside himself, consumed with pain and bewildered by what seems to be a hallucination but which he is certain is not. Parrish is possessed. He angles his face in every direction, arbi- trarily chooses one and now embarrassedly, unconsciously, enrage, responds to the Voice.

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