词汇:woman

n. 女性;妇女;成年女子

相关场景

Suddenly, the man and woman begin to run.
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The horse-drawn cab clatters out of his sight. He is about to draw back when he sees, directly beneath him, a man and woman walking with their hands in the air. Then, a German soldier, pointing his rifle at their backs, appears.
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The tram continues on its way, now revealing the few passengers who alighted '97 women, an old man with a stick.
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WOMAN'S VOICE (from behind the door) Yes?
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Szpilman clatters down the stairs, reaches the ground-floor landing. Another woman tries to bar his way but he pushes past her and out of the house.
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A woman struggles out on to her narrow third-floor balcony.
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Then, out of the darkness of the doorway, a woman: JANINA GODLEWSKA.
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At the furthest stall, he sees a woman, attractive, chic, in her thirties, buying vegetables at a stall. Her name is JANINA GODLEWSKA.
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They stare. The young woman is extremely attractive and knows it. The foremen, workers and the German policemen ogle her.
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The place is now packed to suffocation. People calling out names, trying to find each other. The wailing of women and the cries of children.
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Szpilman shakes his head sadly. The woman with child wanders off to another group.
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WOMAN WITH CHILD He's dying, don't you have a drop of water? My child's dying of thirst, he's dying, he's dying, I beg you!
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Old people lying down, exhausted, impossible to tell whether some of them are alive or dead. Women carrying dehydrated children drag themselves from group to group. One WOMAN approaches Szpilman.
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Father walks nervously up and down, hands behind his back, four steps one way, four steps back. Near them, a YOUNG WOMAN begins to wail.
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The NCO turns his pistol on the young woman and shoots her through the head. He marches off while she lies on the ground with blood spurting out of her.
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Szpilman retreats into the room, his nose bleeding. The women are watching from behind the blankets, but Mother hurries towards Szpilman. She wipes his nose.
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INT. SLEEPING QUARTERS, ABOVE WAREHOUSE - NIGHT semi-darkness. A large room with an improvised partition of blankets to separate the men from the women. Three-tiered bunks.
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The small office is on an upper level with a window looking down on the factory floor where Jewish men and women are hard at work on sewing machines making the terrible clatter.
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Szpilman watches, rooted to the spot. The ragged old man stares at the can, lets out a groan, more like a whimper, and throws himself full length in the slush, licking the soup up from the pavement. The poor woman starts to howl, kicking the old man and tearing at her hair in despair.
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The ragged old man suddenly lunges forward and tries to grab the can from the poor woman. They struggle desperately.
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Szpilman waits and watches, and then a POOR WOMAN passes, carrying a can wrapped in newspaper followed by a RAGGED OLD MAN, dragging himself along. He's shivering with cold, his shoes with holes show his purple feet.
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THE FEATHER WOMAN He's tall, he's handsome. He has a little grey beard. If you see him, please do write, Izaak Szerman's his name, don't forget.
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THE FEATHER WOMAN Excuse me, but have you seen my husband Izaak Szerman?
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EXT. STREETS - DAY Szpilman running. Streets crowded. Corpses. Szpilman, sweating, dodges and sidesteps. Then, suddenly, a woman bars his way. She's the Feather Woman, brightly rouged, with her thickly painted eyebrows, the unsteady mauve ostrich feather rising from her straw hat.
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Two women appear from a doorway, approach the wall and look up. Two or three packages come flying over from the Aryan side. The women grab them and disappear.
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