词汇:brook

n. 布鲁克

相关场景

BROOKS (V.O.) I doubt they'll kick up any fuss.
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the beam, he carves a message into the wood:
"Brooks Hatlen was here." He smiles with a sort of inner peace.
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BROOKS (V.O.) I don't like it here. I'm tired of being afraid all the time. I've decided not to stay.
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119INT -- BROOKS' ROOM -- SHORTLY LATER (1954) 119 Brooks is dressed in his suit. He finishes knotting his tie, puts his hat on his head. The letter lies on the desk, stampe3 and ready for mailing. His bag is by the door.
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BROOKS (V.O.) But I guess I'm too old for that sort of nonsense anymore.
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118INT -- BROOKS' ROOM -- DAY (1954) 118 Brooks is packing his worldly possessions into the carry bag.
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117INT -- FOODWAY -- DAY (1954) 117 BROOKS (V.O.) Maybe I should get me a gun and rob the Foodway, so they'd send me home.
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BROOKS (V.O.) I have trouble sleeping at night.
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116INT -- BROOKS' ROOM -- NIGHT (1954) 116 Dark. Traffic outside. Brooks wakes up. Disoriented. Afraid.
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BROOKS (V.O.) Sometimes after work I go to the park and feed the birds. I keep thinking Jake might show up and say hello, but he never does. I hope wherever he is, he's doing okay and making new friends.
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115EXT -- PARK -- DAY (1954) 115 Brooks sits alone on a bench, feeding pigeons.
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BROOKS (V.O.) It's hard work. I try to keep up, but my hands hurt most of the time.
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BROOKS (V.O.) The parole board got me into this halfway house called the Brewster, and a job bagging groceries at the Foodway... 114INT -- FOODWAY MARKET -- DAY (1954) 114 Loud. Jangling with PEOPLE and NOISE. Brooks is bagging groceries. Registers are humming, kids are shrieking.
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113INT -- BROOKS' ROOM -- DAY (1954) 113 Brooks enters. The room is small, old, dingy. Heavy wooden beams cross the ceiling. An arched window affords a view of Congress Street. Traffic noise drifts in. Brooks sets his bag down. He doesn't quite know what to do. He just stands there, like a man waiting for a bus.
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WOMAN:
No music in your room after eight p.m. No guests after nine. No cooking except on the hotplate... BROOKS (V.O.) People even talk faster. And louder.
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112INT -- BREWSTER HOTEL -- DAY (1954) 112 A WOMAN leads Brooks up the stairs toward the top floor. He has trouble climbing so many stairs.
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BROOKS (V.O.) The world went and got itself in a big damn hurry.
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111EXT -- BREWSTER HOTEL -- DAY (1954) 111 Brooks comes trudging up the sidewalk. He glances up as a prop-driven airliner streaks in low overhead.
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BROOKS (V.O.) I saw an automobile once when I was young. Now they're everywhere.
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110EXT -- STREET -- PORTLAND, MAINE -- DAY (1954) 110 Brooks looks like a kid trying to cross the street without his parents. People and traffic a blur.
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BROOKS (V.O.) Dear Fellas. I can't believe how fast things move on the outside.
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109INT -- BUS -- DAY (1954) 109 Brooks is riding the bus, clutching the seat before him, gripped by terror of speed and motion.
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Brooks walks out, tears streaming down his face. He looks back. Red, Andy, and others stand at the inner fence, seeing him off. The massive gate closes, wiping them from view.
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108EXT -- SHAWSHANK PRISON -- MAIN GATE -- DAY (1954) 108 TWO SHORT SIREN BLASTS herald the opening of the gate. It swings hugely open, revealing Brooks standing in his cheap suit, carrying a cheap bag, wearing a cheap hat.
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107INT -- LIBRARY -- DAWN (1954) 107 Brooks stands on a chair, poised at the bars of a window, cradling Jake in his hands.
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