词汇：motion

n. 动作；请求；手势；移动；意向

相关场景

FOOTBALL COACH:

You stupid son-of-a-b*tch! Run! Go! Run! Forrest cuts and runs toward the sidelines. Two opposing players collide. The football coach, the assistants and the players all motion for Forrest to run toward the end zone.

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JENNY:

Run, Forrest! Run! SLOW MOTION -- Forrest runs from the chasing room. He looks over his shoulder in fear.

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Chace obeys. The van lurches into motion.

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Romeo One-One:

Watch your fire up here. We’re looking for a civilian. They Goe to the main room. A Russian holds a hostage. In slow motion.

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Gaz:

No! (in slow motion as Soap randomly approaches him early) Zakhaev's son pulls the trigger, killing himself. His body collapses and bleeds.

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CUT TO:

INT. COLE'S BEDROOM - AFTERNOON Lynn moves into Cole's room with the laundry basket balanced on her hip. The Walkman headphones on her head blares A MUFFLED TECHNO DANCE BEAT. Lynn starts picking clothes up around Cole's room. This bedroom is an eerie place. The shadows seem to make shapes and figures. All the furniture is wood -- old fashioned. The lamps, the paintings on the wall -- antiques as well. The most striking feature of the room, however, is the homemade tent created from bedsheets and blankets tied to chairs and bureaus. It takes up a large corner of the room. A sign hangs over the bedsheets. "DO NOT ENTER" Lynn grabs the spiderman P.J.s that drape over the tent. A German Shepherd Puppy sleeps on the pillow. SEBASTIAN lifts his head sleepily and peers at Lynn before returning to his slumber. Lynn slowly reaches for a picture frame that peeks out from under Cole's pillow. Slides it out... It's a VACATION PHOTO of a couple. Lynn and Cole and a man. The man looks in every way a larger version of Cole. The picture has a visible effect on Lynn. She lets out a shaky breath before returning the photo to its hiding place. Lynn pulls a pair of school uniform pants off the wooden roll cover desk next to the bed.The desk is covered with loose leaf papers filled with writings. Lynn's eyes are drawn to the papers. Her curious gaze turns serious. Her mouth opens a tiny bit involuntarily. THE PAPERS are strewn with lines of handwriting. Countless lines. Thousands of words... Some horizontal, some vertical... The writing moves in arcs and flows in various size -- written at great speed -- every word connected by a single pen stroke -- everything written in one continuous motion. Lynn slowly spins the papers, taking in some of the phrases... ...Christ break the freaking glass oh no God no what the hell is going on Quiet the damn baby I'll cut you I swear it someone stop the burning I'll kill you I'll kill all you bastard... The words go on and on. Lynn removes her hands from the paper. She pulls her headphones off slowly. THE MUFFLED TECHNO DANCE BEAT FILLS THE DEAD SILENCE OF THE EERIE ROOM.

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DISSOLVE TO:

INT. BROWNSTONE - NIGHT Lynn holds a laundry basket on her hip as she fiddles with the thermostat in the hall. The house is cold. Lynn wears a winter jacket in the house. Lynn turns and moves into the shadowy hallway. No lights. The house seems somewhat ominous. Beat. Lynn's eyes dart to an open guest room like she just saw something. She stares in the doorway until a SOUND TURNS HER IN THE DIRECTION OF THE FAMILY ROOM. She picks up balled-up boy's sweat socks and dirty T-shirts laying on the carpet. When she reaches the end of the hall, she HITS A LIGHT SWITCH. The hall LIGHTS UP REVEALING A WALL OF PHOTOS. Lynn forms a tiny smile. Snapshots of Cole and Lynn's life hang before her eyes. Cole's birthday parties... Lynn and Cole at an amusement park... Cole under the Christmas tree... Cole on Lynn's shoulders in a pool... Cole with a group of neighbors at a barbecue... Lynn takes a step forward. Lynn's face betrays the fact that she notices something she never noticed before. She touches a photo of three-year-old Cole. WE MOVE INTO THE PHOTO -- COLE'S FACE SMILES AT US. LYNN'S FINGER GENTLY BRUSHES A THIN STREAKS OF LIGHT THAT CURVES IN THE BACKGROUND BEHIND COLE. THE STREAK OF LIGHT IS BLURRED, LIKE SOMETHING CAUGHT IN MOTION.Lynn looks to the adjacent photo -- the barbecue photo -- Everyone stands with hot dogs and sodas. Lynn searches the picture. Her eyes suddenly stop at the TINIEST BLUR OF WHITE LIGHT STREAKING AROUND COLE. WE MOVE FROM FRAMED PHOTO TO FRAMED PHOTO -- EACH THE SAME -- SOMEWHERE HIDDEN IN THE FRAME, SOMEWHERE NOT EASILY SEEN, LYNN FINDS A BLUR. Lynn takes it all in curiously.

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DREW:

All right, you win. As soon as I get back to the city, I'll meet with the Board. Sloane's voice erupts over the SPEAKERPHONE. SLOANE (O.S.) You're meeting with the Board right now, Drew. Resignation accepted. Moreover, I propose a motion to re- confirm William Parrish as Chairman of the Board of Parrish Communica- tions as well as a rejection of the merger with Bontecou International. How say you, Board? A chorus of thunderous "Yes"es resounds through the SPEAKERPHONE. SLOANE (O.S., cont'd) The motion is passed.

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DREW:

(to the Board) The other motion before us is the acceptance of John Bontecou's offer to merge this corporation with Bontecou International -- Parrish stands, Drew stops speaking.

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DREW:

Mandatory retirement upon our Chairman's sixty-fifth birthday. Parrish is expressionless. DREW (cont'd) At which time, the Chairman will be named Emeritus, he will be welcome to attend all meetings, and will serve as International Spokesman for the corporation plus, of course, a settlement, a golden parachute of such magnitude that his feet will never touch the ground. Drew pauses. DREW (cont'd) Please indicate your vote by a "Yes" or "No". A "Yes" is heard, now another "Yes", now more "Yes"es, all reluctant, "No" from Sloane, "No" from Quince who realizes he is the instrument of Parrish's dismissal. DREW (cont'd) The motion is passed. We will of course delay the announcement, out of respect for our former Chairman, until after the celebration of his birthday this weekend.

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