词汇:frame

n. 框架;结构;画面

相关场景

TIGHT ON TERMINATOR as the pistol RISES INTO FRAME, aligning with his eyes. BOOM!>>完整场景
The screen WHITES OUT with a BLAST, very close. As the debris clatters down, a helmetted head snaps up into FRAME, EXTREME F.G.>>完整场景
CUT TO:
43 OMITTED 43 44 EXT. STREET/CONSTRUCTION SIGHT - DUSK On a side street the girls pass an excavation site between high-rises. They pass OUT OF FRAME as CAMERA HOLDS on the construction area and Ginger's shrieks fade.>>完整场景
CUT TO:
33D INT. BEDROOM 33D LOW ANGLE ON TERMINATOR, standing with the .45 aimed down at the dead woman, just OUT OF FRAME on the floor.>>完整场景
LOW ANGLE with the FRAME comprising a single house, toy- littered lawn and mailbox. EXTREME F.G., by the curb, is a CHILD'S PLASTIC TRUCK.>>完整场景
ANGLE - COP, passing the end of a long aisle B.G. while in the F.G. a hand ENTERS FRAME, removing a knit shirt from a hanger. Reese slips the shirt on quietly and does a fast crab-walk across the aisles to melt into the other racks and shadows, CAMERA MOVING LOW with him.>>完整场景
A FIGURE drops INTO FRAME as if out of the sky and smacks the pavement with a muddy splash.>>完整场景
ANGLE - TWO SHOT, Terminator and the leader are close together as if dancing, but motionless. Their bodies are in total shadow. The punk's eyes are wide, his veins distended with an agonizing pressure. Terminator jerks his fist back with a WET SOUND and the other drops OUT OF FRAME.>>完整场景
FRAME comes to rest on the figure of a NAKED MAN kneeling, faced away, in the previously empty yard.>>完整场景
A CAT enters FRAME. CAMERA DOLLIES FORWARD, prowling with him through the landscape of trash receptacles and shadows.>>完整场景
I'm gonna hang this night up on the wall and frame it!>>完整场景
His fist drops into frame... Louis loses consciousness.>>完整场景
As the handmaiden leaves, exiting frame, we PUSH IN on one of the murals on the wall. The eye of one of the figures there is no longer the painted eye it was before, but is a real human eye, disguised by the mural... THE KING, IN THE SECRET PASSAGEWAY is spying on Michelle.>>完整场景
D'Artagnan bows, steps to the lifesize portrait of Louis XIII, touches a hidden button on its frame and moves into the secret passage the painting reveals as it swings open.>>完整场景
Blocked by the advisors, d'Artagnan leaves them, turning down one hallway, and then another; he reaches the Hall of Mirrors and touches the golden frame of one mirror at its corner; the mirror becomes a door, revealing a secret passage within the walls. D'Artagnan steps through and the portal closes again, leaving no trace of its existence.>>完整场景
The field equation implies we're creating a frame. / And we have marble 42.>>完整场景
Tell you what... I'll help you do some research, and find about his frame of mind.>>完整场景
- And the frame?>>完整场景
SUPERVISOR:
(in Estonian, subtitled) – Are they still moving? – The Police Operator checks his screen – NODS... EXT. TALLINN STREET – CONTINUOUS TYRES HOWLING, the convoy GRINDS forward – Blue Co-pilot tosses a DYE PACK onto the windshield of the SUV – it BLASTS across the glass, obscuring the view – Yellow Co-pilot does the same in the front – the Guards are now BLIND, CANNOT OPEN THEIR DOORS OR SHOOT OUT THROUGH THE BULLET-PROOF VEHICLES... The Protagonist CLIMBS ONTO THE LADDER, lying on top... Inside, the Red Co-pilot operates the ladder controls... The ladder SWINGS OUT AT NINETY DEGREES, hanging the Protagonist DIRECTLY OVER THE NUCLEAR TRUCK... he PULLS a frame from his pack, unfolds it – fixes it to the roof. The ladder SWINGS him away – the frame EXPLODES – he SWINGS back through the smoke to find an OPENING and climbs into – INT. NUCLEAR TRANSPORTATION TRUCK – CONTINUOUS The Protagonist lands, gets his bearings, finds the SAFE. He reaches into his pack... EXT. TALLINN STREET – CONTINUOUS An Estonian POLICE CAR pulls up behind the fire truck – the POLICEMEN spot SPARKS from the dragging bumper of the SUV – the Policeman Passenger tries his radio... STATIC... INT. NUCLEAR TRANSPORTATION TRUCK – CONTINUOUS The Protagonist affixes a CHARGE to the safe – he runs a wire, pushing back into the farthest corner – BLASTS the door open – INT./EXT. FIRE ENGINE – CONTINUOUS Watching the Police through his mirror, Red Passenger rolls down his window and props his ASSAULT RIFLE on the sill... INT. NUCLEAR TRANSPORTATION TRUCK – CONTINUOUS The Protagonist reaches into the safe... PULLS OUT an ORANGE PLASTIC CASE... reaches up to climb through the roof... INT./EXT. FIRE TRUCK – CONTINUOUS The Protagonist, orange case in hand, CLIMBS onto the ladder – Red Passenger SWINGS his rear-opening door out and SHOOTS OUT the engine block of the police car which DROPS BACK as – The fire-truck ladder SWINGS the Protagonist back onto the fire truck – he climbs down onto the side – the BMW pulls alongside – he JUMPS into the car, which SPEEDS away... INT./EXT. BMW, TALLINN STREET – CONTINUOUS Neil, driving, glances at the orange case – We got it!>>完整场景
A dark SHADOWY FIGURE enters the frame. It's THE BAT-MAN but we can't make out exactly what he looks like. To us he's just a big, black hulk.>>完整场景
EXT. DUTTON HEIGHTS HOUSING PROJECTS. ROOF - DAY The TV cameras frame a close-up shot. The GUNMAN, now lying on the roof, reaches for the CHILD, an arm out-stretched.>>完整场景
241EXT -- LOADING DOCK ACCESS -- NIGHT (1966) 241 ANGLE LOOKING STRAIGHT DOWN. Below us, Tommy Williams lies facedown at Norton's feet. Blood is spreading, fanning out oa the pavement. Norton turns, strolls out of frame.>>完整场景
Norton drops his cigarette. Crushes it out with the toe of his shoe. Glances up toward the plate shop roof as -- 199 HIGH ANGLE FROM PLATE SHOP ROOF (SNIPER POV) 199 -- a rifle scope pops up into frame, jumping Tommy's image into startling magnification, framed in the crosshairs.>>完整场景
21INT -- CELLBLOCK FIVE -- NIGHT (1947) 21 LOW ANGLE. A CELLBLOCK GUARD strolls into frame.>>完整场景
We go ONE FRAME AT A TIME till the car moves past us, to Bill holding a pistol with a large silencer pointing right at our face. He FIRES. It emits only a tiny PHOOF.>>完整场景