词汇:leaning

n. 倾向,爱好;倾斜

相关场景

Mr. Walker, keep leaning on that barrel there.
>> Stay Hungry Movie Script
IVES:
It’s about to get distracting... He signals a RED RPG SOLDIER... IVES (CONT'D) On my mark! He looks at his watch – ‘5:01’, ‘5:00’ – Fire! IVES (CONT'D) The leaning ruin THRUSTS UPWARDS – EXT. CITY STREETS, STALSK-12 – DAY Wheeler watches as the Leaning Ruin’s UPPER STOREYS REASSEMBLE, as its BASE EXPLODES... EXT. CITY STREETS, STALSK-12 – DAY The Protagonist takes cover as the Leaning Ruin’s BASE REASSEMBLES as its UPPER STOREYS EXPLODE... the Protagonist and Ives race at the tunnel entrance – the GREY TRUCK RACES at them as they dive for the tunnel... EXT. CITY STREETS, STALSK-12 – DAY Wheeler ducks as the weight of the upper storeys COLLAPSES the building... Neil lifts his head after the EXPLO/IMPLOSION. Clear. He gets up and starts RUNNING... EXT. TUNNEL ENTRANCE, STALSK-12 – DAY The Protagonist and Ives RACE into the tunnel, HITTING A TRIPWIRE WHICH BLOWS THE TUNNEL ENTRANCE DOWN BEHIND THEM AS THEY JUMP INSIDE... EXT. PRIVATE DECK, SATOR’S YACHT – LATE AFTERNOON Sator hangs up. He holds a SILVER PILL in the sunlight, studying it...
>> 信条Tenet Movie Script
PROTAGONIST:
Ives sees LARGER and LARGER debris is ROLLING down the street towards the LEANING RUIN OF A BUILDING TOP...
>> 信条Tenet Movie Script
Ives looks ahead to the LEANING RUIN OF A BUILDING TOP...
>> 信条Tenet Movie Script
EXT. OPEN OCEAN, AMALFI – LATER The boats FLY, SKIMMING THE WATER ON THEIR HYDROFOILS... Sator and the Protagonist are next to each other, standing on one pontoon, LEANING OUT IN THEIR HARNESSES... Kat is at the wheel, concentrating...
>> 信条Tenet Movie Script
Budd turns on the NOISY blender, as Elle writes down the name Paula Schultz on a small notepad, placing it back inside her pocket. As the blender MASHES ICE, Elle looks around and sees the Bride's Hanzo sword in its sheath, leaning up against the T.V. In the front room. Budd shuts the blender off.
>> 杀死比尔Kill Bill Movie Script
Carla Jean has gotten out of the far side of a cab. On the near side the driver is leaning in to help her mother out.
>> 老无所依No Country for Old Men Movie Script
He sits leaning back against the car, waiting.
>> 老无所依No Country for Old Men Movie Script
MOSS:
He is standing on the chair below the airduct, stooping to pick up the jury-rigged pole leaning nearby. He straightens and feeds the length of the pole into the duct, using the joints to angle it in.
>> 老无所依No Country for Old Men Movie Script
The driver is dead, leaning over the wheel. Moss shuts the door.
>> 老无所依No Country for Old Men Movie Script
He pulls on the chain again, leaning into it. Finally itgives. He falls, the chain CLATTERING across the floor.
>> 金钱世界 All the Money in the World Movie Script
DREW:
(bursting) Olympic. Parrish disappears into his office. Drew, on his way out, glides past Jennifer's desk. DREW (cont'd) This is our lucky day. Jennifer acknowledges Drew with a smile, rises and moves to Parrish's doorway, waiting for the day's instructions, but Parrish only nods to the door and Jennifer quickly closes it, returns to her desk. INT. PARRISH'S OFFICE - DAY Alone in his office, Parrish's ebullient mood immediately changes. Leaning against the back of the couch, he stares out through floor-to-ceiling windows, surveying the Manhattan skyline:cogitates. He takes a seat on the couch, opens a folder, suddenly he flinches with a spasm of pain in his shoulder. It is sharp but brief, he notices it but what it does not continue, he ignores it. Parrish resumes looking at the folder when suddenly the pain comes again. He reaches for his shoulder, tries to massage the pain, it does not subside. Parrish stands, trying to shake it off, but it refuses to go away, some- thing is unmistakably wrong. Now a SOUND which he has come to recognize, makes itself heard:VOICE (V.O.) Yes. Frozen with surprise, Parrish's eyes search the room for the source of the SOUND, it comes from no particular direction, yet surrounds him. Suddenly Parrish's symptoms sharply intensify, he is sinking to the floor but somehow grabs a corner of the desk, holds on with one hand, with the other clutches at his shoulder and arm, the pain has violently seized the upper part of his body. He breaks out in a sweat, his pallor now waxen as the Voice repeats itself:VOICE (V.O., cont'd) ...Yes. Parrish grips the edge of the desk, the pain assaulting him on the one hand, the Voice coming at him from the outer, each aberration feeds on the other, he is beside himself, consumed with pain and bewildered by what seems to be a hallucination but which he is certain is not. Parrish is possessed. He angles his face in every direction, arbi- trarily chooses one and now embarrassedly, unconsciously, enrage, responds to the Voice.
>> 第六感生死缘Meet Joe Black Movie Script