词汇：lawn[lɔːn]

n. 草坪；草地

相关场景

108. At the dawn on the lawn the yawning drowned man began to frown.
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108. 拂晓时在草坪上，打呵欠的溺水者开始皱眉头。
LOW ANGLE with the FRAME comprising a single house, toy- littered lawn and mailbox. EXTREME F.G., by the curb, is a CHILD'S PLASTIC TRUCK.
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You know, there's a whole line of bluesmen on your lawn, waiting to see if you're dead.
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People say I'm an idiot because all I do is cut lawns for a living.
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How would you like to mow my lawn?
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SELINA gives THE BAT-MAN an incredulous look then does exactly what he says as outside on the — EXT. FRONT LAWN. LOEB'S MANSION - NIGHT KA-BLAM! THE BAT-MAN's grenade goes off sending a fireball out of several window and shattering many more.
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EXT. FRONT LAWN. LOEB'S MANSION - NIGHT The heavy LINCOLN CONTINENTAL sends rooster tails of expensive, manicured lawn high in the air.
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Yuki's sports car pulls up in front of the house. She stands up in the convertible. Takes out a grenade, pulls the pin and says; YUKI(JAPANESE) Time for the rabbit to come out of her hole! She lobs the grenade up on the porch, then throws herself face down on the lawn.
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THE BRIDE:
Stay in your house and stay down on the floor! Yuki speeds after her, but this time she pops the curb and drives across the front lawns on the street heading right for her.
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The Bride, runs across lawns and hides behind parked cars on the street, as the bullets rip up homes, lawns, and automobiles.
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The Bride, with her samurai sword in her hand, and her backpack full of money, takes off running across a couple of front lawns... Yuki chases her with machine gun fire... The Bride LEAPS over a long hedge...disappearing Behind it.
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EXT. VERNITA'S HOME - DAY The Bride walks down the dead woman's driveway to her vehicle. She glances at the lawn toys one more time as she makes here getaway.
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The BRIDE'S POV:
A very homey three-bedroom house in the affluent suburb of Pasadena, California. A purple Dodge Neon sits parked in the driveway. A tricylce, a big wheel, and a few toys sprinkle the grass on the front yard. A mailbox with the name "The BELLS" on it sits out in front of the lawn. We hear but don't see ice cream truck bells.
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Jenny steps forward and kisses Lt. Dan's cheek. The group is seated as they watch Forrest and Jenny take vows on the front lawn. Forrest Jr. stands next to Jenny.
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Lt. Dan is walking across the lawn. He uses a cane. A WOMAN is walking next to him.
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EXT. GUMP HOUSE - DAY A group has gathered on the lawn for the wedding. Louise walks up to Forrest.
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EXT. FRONT PORCH - DAY Forrest sit on a rocking chair with his running shoes on. He is still, as if in a trance. He slowly puts on his Bubba- Gump cap. Forrest stands. He walks off the porch. He begins to jog across the lawn. His speed increases as he runs farther away. Forrest runs down the drive away from his house.
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EXT. GUMP HOUSE - DAY Jenny walks across the lawn to Forrest.
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EXT. FOOTBALL FIELD - DAY Forrest rides a lawn tractor as he moves the football field lawn.
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EXT. WASHINGTON MONUMENT/PROTESTER'S ENCAMPMENT - NIGHT Forrest and Jenny walk past the protesters who are camping out on the lawn.
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CUT TO:

EXT. HOME - AFTERNOON A modest home sits on a corner. Its small lawn, groomed carefully. Rows of parked cars spill out from the driveway onto the streets. People in suits and dark dresses move somberly in and out of the front door of the home. Cole and Malcolm join the visitors as they walk slowly towards the doors. A frail, little girl about four years of age sits in a dark dress on the swings in front of the house. Visitors say hello to her as they pass. She doesn't say anything back.
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ALLISON:
Daddy! We've been looking all over for you - this is your party - what are you doing in here? Never mind. You're on. Let's go. She pulls him out of his chair, hustles him out of the room, Joe right behind them. EXT. LAWNS, COUNTRY ESTATE - NIGHT The guests have formed themselves into a huge audience, the orchestra strikes up "Happy Birthday" as Parrish appears with Allison. An enormous cake is unveiled with one great, lit candle, Parrish beams then laughs. He pauses over the cake, now blows the candle out. APPLAUSE, cries of "Speech! Speech!", Parrish tries to demur but the request becomes loud and rhythmic, he holds up his hand, nods, quiets the crowd. Joe observes from the fringe.
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PARRISH:
No, he's at the office. EXT. LAWNS, COUNTRY ESTATE - NIGHT An area on the fringe of the party, the helicopter blades stop spinning. Quince hurries to the aircraft door, opens it and Drew steps out. Quince leads the way through the lights and MUSIC. Drew, fashioning an imperial entrance for himself, hails partygoers as he passes, Quince enjoying the irony.
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PARRISH:
Why did you come in here and tell me, Joe? You are the Biggest Shot of all, you don't have to ask my permission, but that's what you're doing. You know why? Because you've somewhere, somehow, developed into a good guy, and you know this is all wrong... I don't know what you're going to do -- how can this be love? She doesn't know who you are. Why don't you tell her? Try it out on her? See what happens. Reveal everything there is to know about yourself and let the chips fall where they may.Joe has received what Parrish has said. PARRISH (cont'd) Okay? -- I've given it my best shot. I wish I could tell you to sleep on it but... Parrish lets his words drift into silence, he shrugs, Joe regards him. EXT. LAWNS, COUNTRY ESTATE - NIGHT Joe makes his way down the path from Parrish's study, a weight on his shoulders, his step measured, within himself until he is hit by the lights and laughter and MUSIC of the party. He drifts into the center and runs right into Susan, couples swirl about them, the eye of a storm of gaiety.
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