词汇:compound

vt. 混合;合成;和解妥协;搀合

相关场景

(Hah. Dum-maan ken.) As JAMA gets out the money, another armed guard - ABDI - comes out of the compound.
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207 INT. GROUND CONTROL STATION - NIGHT 207 STEVE and CARRIE watch as ALIA stops at her corner spot table beside Amadu’s compound.
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197 EXT. PASSAGEWAY - EASTLEIGH - AFTERNOON 197 ALIA, with her basket of bread exits her compound and walks off down the passageway toward the street.
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On their Reaper feed we see the Guards outside the compound.
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195 INT. BAKERY - ALIA’S COMPOUND - AFTERNOON 195 FATIMA hands ALIA a new basket of bread.
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MUSHTAQ uses his computer to put up an image of Amadu’s house and compound on another of the large screens. Concentric ‘collateral damage’ circles are superimposed on the image.
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COLONEL POWELL: (to Mushtaq) Generate new damage rings for this compound with an assessment of the payload in those jackets.
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123 EXT. AMADU’S COMPOUND - AFTERNOON 123 The beetle flies into Amadu’s compound.
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122 EXT. STREET - EASTLEIGH - AFTERNOON 122 JAMA walks towards Amadu’s compound. He stops at a distance. With a narrow view of the house, he is far enough away to avoid the suspicion of the armed guards.
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A120 EXT. ALIA’S COMPOUND - AFTERNOON A120 FATIMA looks out from inside her house.
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115 OMITTED 115 116 OMITTED 116 117 EXT. ALIA’S COMPOUND - AFTERNOON 117 ALIA twirls and twirls.
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113 EXT. ALIA’S COMPOUND - AFTERNOON 113 ALIA twirls and twirls her hula hoop with a passion.
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We now see that Alia’s compound borders this house - and in the corner of the image, we make out ALIA twirling her hoop.
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(Haa wafikrad aa-diyo aad oo fee aan.) ALIA walks into the compound. OMAR looks up and sees her.
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110 EXT. ALIA’S COMPOUND - EASTLEIGH - AFTERNOON 110 MUSA is talking to OMAR: YELLOW SHOOTING SCRIPT 12 September 2014 46.
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109 EXT. AMADU’S COMPOUND - EASTLEIGH - AFTERNOON 109 ALIA walks past Amadu’s compound and turns into the passageway leading to her own house.
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There is another SUV already in the compound.
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Another fifty yards up the road, two armed guards with AK47s open the gates to a compound, and the SUV pulls in.
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There’s an embarrassed silence. The image from the bird shows the SUV move as the gates to the compound are opened.
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He pulls back on the throttle that controls the camera zoom and the image snaps out to a wider area. He points out the location of the fifty soldiers of D Company concealed in their compound.
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58 EXT. HOUSE - PARKLANDS - MIDDAY 58 We see, perched on the compound wall, the micro-RPA bird.
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ON HER SCREEN: ANOTHER CAR is entering the compound. The OWNER opens the car door and RASHEED gets out.
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The MEN look back and see ALIA glancing at them. TWO OTHER MILITIA MEN guarding a nearby compound watch her too.
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49 EXT. STREET - EASTLEIGH - NAIROBI - MORNING 49 ALIA, with a basket of her mother’s loaves, walks to a table already set up on the sidewalk alongside a compound wall.
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46 INT. HOUSE - ALIA’S COMPOUND - SAME TIME 46 ALIA looks up from a travel book she is reading.
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