INTERIOR GEORGE'S OFFICE �� DAY CLOSE SHOT �� George and Uncle Billy.
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INTERIOR OUTER OFFICE �� BUILDING AND LOAN �� DAY MEDIUM CLOSE SHOT �� George, followed by the still-silent people, comes in. Uncle Billy is standing in the doorway to his private office, taking a drink from a bottle. He motions to George to join him.
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INTERIOR ERNIE'S CAB �� DAY CLOSE SHOT �� George, Mary and Ernie. George and Mary are in each other's arms.
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INTERIOR UPPER HALLWAY �� NIGHT CLOSE SHOT �� Mrs. Hatch. As she hears this, she hastily hangs up the extension phone on which she has been listening.
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INTERIOR HATCH HALL �� NIGHT MEDIUM CLOSE SHOT �� George and Mary.
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INTERIOR SAM'S NEW YORK OFFICE �� NIGHT MEDIUM CLOSE SHOT �� Sam is seated at his desk, while a couple of his friends are nearby, with highballs in their hands.
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INTERIOR HALL �� NIGHT MEDIUM CLOSE SHOT �� Mary comes into the hall.
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INTERIOR PARLOR �� NIGHT CLOSE SHOT �� George and Mary seated on the divan.
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INTERIOR DOORWAY �� NIGHT MEDIUM CLOSE SHOT �� George is struggling with the gate �� he finally kicks it open and starts slowly up the path toward Mary.
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INTERIOR HATCH HOME �� NIGHT MEDIUM CLOSE SHOT �� Mary is running down the stairs.
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INTERIOR BEDROOM WINDOW �� HATCH HOME �� NIGHT CLOSE SHOT �� Mary is looking out the window, watching George walk back and forth.
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INTERIOR OUTER OFFICE �� BUILDING AND LOAN �� DAY MEDIUM CLOSE SHOT �� George, visibly shaken, is busy with his bag, his papers. He is worried about the outcome of the meeting.
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Dinner at the Bailey home INTERIOR BAILEY DINING ROOM �� NIGHT MEDIUM SHOT �� Pop Bailey is seated at the dinner table. Mrs.
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INTERIOR GOWER'S DRUGSTORE �� DAY MEDIUM SHOT �� The place is practically the same except that it is now full of school kids having sodas, etc. A juke box and many little tables have been added. It has become the hangout of the local small fry.
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Luggage shop/ With Mr. Gower/Bert and Ernie INTERIOR LUGGAGE SHOP �� DAY �� (1928) MEDIUM SHOT �� It is late afternoon. A young man is looking over an assortment of luggage. Across the counter stands Joe Hepner, the proprietor of the store �� he is showing a suitcase.
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INTERIOR BACK ROOM DRUGSTORE �� DAY CLOSE SHOT �� George and Gower.
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INTERIOR FRONT ROOM DRUGSTORE �� DAY CLOSE SHOT �� Mary is still seated at the soda fountain. Each time she hears George being slapped, she winces.
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Back to drugstore INTERIOR BACK ROOM �� GOWER'S DRUGSTORE �� DAY CLOSE SHOT �� Gower talking on the telephone. George stands in the doorway.
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INTERIOR OUTER OFFICE BLDG. AND LOAN �� DAY CLOSE SHOT �� George and his father at the door.
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INTERIOR BAILEY'S PRIVATE OFFICE �� DAY MEDIUM SHOT �� George's father is seated behind his desk, nervously drawing swirls on a pad. He looks tired and worried. He is a gentle man in his forties, an idealist, stubborn only for other people's rights.
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INTERIOR OUTER OFFICE BLDG. AND LOAN �� DAY FULL SHOT �� The offices are ancient and a bit on the rickety side. There is a counter with a grill, something like a bank.
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INTERIOR DRUGSTORE �� DAY MEDIUM SHOT �� George comes out into main room. As he puts on his cap he sees a Sweet Caporals ad which says:
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