词汇：grip
n. 紧握；柄；支配；握拍方式；拍柄绷带；vt. 紧握；夹紧；vi. 抓住
相关场景
- He's in the grip of a major anxiety attack. Tries to shake himself out of it. Can't. Fumbles the final items into the bag. Walks away. Trying not to panic. Trying not to run.>> 肖申克的救赎Shawshank Redemption Movie Script
- TOMMY:
- ...so I'm backin' out the door, right? Had the TV like this... (mimes his grip) Big ol' thing. Couldn't see sh*t.>> 肖申克的救赎Shawshank Redemption Movie Script
- Hadley abruptly jerks Andy to a stop right at the edge. In fact, Andy's past the edge, beyond his balance, shoetips scraping the roof. The only thing between him and an ugly drop to the concrete is Hadley's grip on the front of his shirt.>> 肖申克的救赎Shawshank Redemption Movie Script
- TILL... They meet... Using only her left arm, with the sheathed Hanzo sword in its grip, she blocks all of his blows, right arm unmoving down at her side...sort of like Pai Mei did to her earlier...his sword and her sheath lock together...they're close to each other, she brings up her right arm, sticks out two fingers, and hits Bill on ten different pressure points on his body.>> 杀死比尔Kill Bill Movie Script
- He stands in a combat position, sword raises in a combat grip, to charge her.>> 杀死比尔Kill Bill Movie Script
- O-REN(ENGLISH) That really was a Hattori Hanzo sword... Her sword FALLS from her grip...in the snow by her feet.>> 杀死比尔Kill Bill Movie Script
- O-REN'S FEET White socks in wooden clogs, walk forward, Crunching Snow underneath them... The BRIDE Holding Sword...Eyes reflected in Blade...her Yellow Sneakers Crunching snow underneath them... O-REN when her Sword is fully unsheathed, the Japanese combat artist holds both arms straight out at her sides, Sword in one hand - Wood sheath in the other, like a bird. .The Two Women circle each other.... They SWING - CLASH - DANCE - SEPARATE...CIRCLE...SWING - CLASH - DANCE - SEPARATE... O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around... O-Ren goes in for the kill...The Bride meets her blade... The Blades Clash and Lock...The Two Women's faces come together as the Blades become entangled... O-Ren moves her arm in a counter-clockwise motion that loosens the grip enough to bring her sword handle hard into The Bride's mouth... Knocking her backwards over a small, stone bench - Flat on her ass in a koi pond.>> 杀死比尔Kill Bill Movie Script
- Go Go eyes focused on her enemy...WHOOSH....WHOOSH....WHOOSH...she lets fly... The ball and chains wrap around the blade of the Hanzo sword Go Go yanks the Hanzo sword FLIES out of her grip.>> 杀死比尔Kill Bill Movie Script
- She throws him down to the ground. With his neck still in the vise-like grip of her ankles, She removes The SOG Knife from its sheath and Plunges it Deep Into The Boy's Chest.>> 杀死比尔Kill Bill Movie Script
- While her left hand holds the table, her right hand goes to the SOG on her belt, her fingers wrap around the blade's grip, lifting it up out of the sheath and PLUNGING IT THROUGH THE TABLE TOP up to the handle, with all the SOG's steel entering Vernita's abdomen.>> 杀死比尔Kill Bill Movie Script
- Moss:
- he hears the slowing steps. He tightens his grip on his shotgun and tenses.>> 老无所依No Country for Old Men Movie Script
- Moss adjusts his grip on the shotgun and his finger tightens on the trigger.>> 老无所依No Country for Old Men Movie Script
- EXT. GETTY VILLA -- ENTRANCE -- DAY Chace walks the dog to the open front gate. He grips the dog's chain in his clenched fist.>> 金钱世界 All the Money in the World Movie Script
- EXT. SOTHEBY'S ROME -- PALAZZO COLONNA -- DAY Gail fixes her makeup in a vanity mirror as her cab pulls upoutside the auction house. She pays the driver - INT. SOTHEBY'S ROME -- DAY -- and grips the shoebox in both hands as she waits. An APPRAISER in a bespoke suit greets her.>> 金钱世界 All the Money in the World Movie Script
- SAS:
Jump for it! Soap jumps. He begins to lose his grip on the ramp. Price grabs him and pulls him aboard.>> Modern Warfare 07 Movie Script- CUT TO:
EXT. FRONT STEPS - AFTERNOON Cole is seated on the front stoop of his brownstone. On the steps and on the landing are his plastic soldiers in the grips of a war. Malcolm sits with his bag and overcoat on the step next to him. Malcolm just observes quietly. Beat. Cole glances up as he plays. Sees Malcolm's expression.>> The Sixth Sense 灵异第六感 Movie Script- JOE:
- (after a moment) Thank you. Joe redirects himself, goes to the door. As they both are about to exit, Joe and Susan sneak furtive looks at each other across the pool, smile at catching each other's glances. Joe exits. For a moment Susan's eyes remain on the door through which he has gone. Now she grips the towel over her shoulders, the one Joe gave her, pats the same spot he did.>> 第六感生死缘Meet Joe Black Movie Script
- DREW:
- (bursting) Olympic. Parrish disappears into his office. Drew, on his way out, glides past Jennifer's desk. DREW (cont'd) This is our lucky day. Jennifer acknowledges Drew with a smile, rises and moves to Parrish's doorway, waiting for the day's instructions, but Parrish only nods to the door and Jennifer quickly closes it, returns to her desk. INT. PARRISH'S OFFICE - DAY Alone in his office, Parrish's ebullient mood immediately changes. Leaning against the back of the couch, he stares out through floor-to-ceiling windows, surveying the Manhattan skyline:cogitates. He takes a seat on the couch, opens a folder, suddenly he flinches with a spasm of pain in his shoulder. It is sharp but brief, he notices it but what it does not continue, he ignores it. Parrish resumes looking at the folder when suddenly the pain comes again. He reaches for his shoulder, tries to massage the pain, it does not subside. Parrish stands, trying to shake it off, but it refuses to go away, some- thing is unmistakably wrong. Now a SOUND which he has come to recognize, makes itself heard:VOICE (V.O.) Yes. Frozen with surprise, Parrish's eyes search the room for the source of the SOUND, it comes from no particular direction, yet surrounds him. Suddenly Parrish's symptoms sharply intensify, he is sinking to the floor but somehow grabs a corner of the desk, holds on with one hand, with the other clutches at his shoulder and arm, the pain has violently seized the upper part of his body. He breaks out in a sweat, his pallor now waxen as the Voice repeats itself:VOICE (V.O., cont'd) ...Yes. Parrish grips the edge of the desk, the pain assaulting him on the one hand, the Voice coming at him from the outer, each aberration feeds on the other, he is beside himself, consumed with pain and bewildered by what seems to be a hallucination but which he is certain is not. Parrish is possessed. He angles his face in every direction, arbi- trarily chooses one and now embarrassedly, unconsciously, enrage, responds to the Voice.>> 第六感生死缘Meet Joe Black Movie Script
- EXT. ANNANDALE-ON-HUDSON, N.Y. - 4:00 AM A patch of water. PULL BACK TO REVEAL more water. BACK FARTHER TO REVEAL an expanse of river, up the bank to massive lawn running up to a great, classic Hudson River manor house; the country estate of William Parrish. INT. PARRISH COUNTRY ESTATE - 4:00 AM MOVE THROUGH French doors that lead from a wide terrace into an expansive living room, DOWN wide corridors lined with Bierstadt and Cole paintings, the Hudson River School, mists and trees and small boats and distant humans. INT. PARRISH BEDROOM - 4:00 AM MOVE THROUGH the doorway to reveal a master bedroom furnish- ed with exquisite simplicity, revelatory of its sleeping occupant, WILLIAM PARRISH, 64, a warm but commanding face, a man of maturity yet who exudes a glow of enthusiasm. Although asleep, there is an uncommon restlessness to him. Parrish grips his upper arm as if in pain. Now the severity of the pain wakes him, he squeezes his arm. The wind comes up, through the wind a VOICE is heard distantly, or is it the>> 第六感生死缘Meet Joe Black Movie Script