词汇：outer

adj. 远离中心的；外面的，外部的

相关场景

PHILLIPPE: My brother... Louis dances the minuet, prancing as if he is the center of the universe; but this bliss is broken when one of the dancers who swirls by him -- it is Aramis -- lifts the baroque outer mask he's wearing and reveals an iron mask beneath.
>> 铁面人 The Man in the Iron Mask Movie Script
INT. THE PALACE - THE QUEEN MOTHER'S ROOM - NIGHT Anne paces in her room, her hands trembling, her beautiful lips quivering with tortured emotion. With a sudden impulse she bolts from her room, through the outer room where her attendants sit, and into the corridor.
>> 铁面人 The Man in the Iron Mask Movie Script
From time immemorial, the Earth has been bombarded by objects from outer space.
>> 巨石怪 The Monolith Monsters Movie Script
Neil hands him a phone. The Protagonist sticks a Bluetooth earpiece in his ear, passes into the airlock – Wheeler shuts it behind him. Then opens the OUTER DOOR... EXT. YARD, TALLINN FREEPORT – CONTINUOUS The Protagonist emerges into a strange world – the air feels different, the friction of his feet on the asphalt feels different. He looks up at birds flying backwards... at steam contracting... at a pile of dust sucking itself bigger... In the yard he spots the SAAB... he runs over, finds the keys sitting on the front tyre – INT./EXT. SAAB – CONTINUOUS The Protagonist LOOKS in the glove box – NOTHING – LOOKS in the wheel well – NOTHING – the back seat – NOTHING. He gives up – starts the engine... pulls out, gently, feeling out the strange handling of the vehicle... INT./EXT. SAAB, TALLINN STREETS – MOMENTS LATER The Protagonist steers the car around BACKWARDS-MOVING TRAFFIC and BACKWARDS-WALKING PEDESTRIANS, MARVELLING... People STARE at the car as it approaches, as if they already know a backwards-driven car is heading their way (which, of course, they do).
>> 信条Tenet Movie Script
Nothing. Like it came from outer space.
>> 信条Tenet Movie Script
The door opens – they slip into the outer vault – INT. OUTER VAULT, FREEPORT – MOMENTS LATER They reassemble the document frames, then LIE DOWN, ‘unconscious’ – EMERGENCY SERVICES BURSTS IN... INT. HOTEL ROOM, OSLO – DAWN Neil hangs up his phone –
>> 信条Tenet Movie Script
NEIL:
Power switches to fail-safe, sealing outer doors, but inner doors revert to factory settings and pickable locks. Child’s play, really.
>> 信条Tenet Movie Script
147INT -- GUARD STATION/OUTER OFFICE -- DAY (1955) 147 Norton and Hadley break the door in. Andy looks up with a sublime smile. We hear Wiley POUNDING on the bathroom door: WILEY (O.S.) LET ME OUUUUT! 148INT -- SOLITARY WING -- DAY (1955) 148 LOW ANGLE SLOW PUSH IN on the massive, rust-streaked steel door. God, this is a terrible place to be.
>> 肖申克的救赎Shawshank Redemption Movie Script
133INT -- GUARD STATION/OUTER OFFICE -- DAY (1955) 133 Andy shoots a look at the bathroom...and smiles. Go for broke.
>> 肖申克的救赎Shawshank Redemption Movie Script
131INT -- GUARD STATION/OUTER OFFICE -- DAY (1955) 131 Andy wrestles the phonograph player onto the guards' desk, sweeping things onto the floor in his haste. He plugs the machine in. A red light warms up. The platter starts spinning.
>> 肖申克的救赎Shawshank Redemption Movie Script
129INT -- GUARD DESK/WARDEN'S OUTER OFFICE -- DAY (1955) 129 Dozens of parcel boxes litter the floor. WILEY, the duty guard, picks through them. Hadley enters, trailed by Andy.
>> 肖申克的救赎Shawshank Redemption Movie Script
100INT -- GUARD DESK/NORTON'S OUTER OFFICE -- DAY (1953) 100 Andy enters and drops a letter on the outgoing stack.
>> 肖申克的救赎Shawshank Redemption Movie Script
95INT -- GUARD DESK/NORTON'S OUTER OFFICE -- DAY (1949) 95 Andy pops his head in. The GUARD shakes his head.
>> 肖申克的救赎Shawshank Redemption Movie Script
95INT——警卫台/诺顿的办公室——DAY（1949）95安迪突然探出头来。警卫摇了摇头。
HADLEY (O.S.) Dufresne! 91 ANDY STEPS BACK INTO THE OUTER ROOMS AND FINDS HADLEY WITH 91 another GUARD, a huge fellow named DEKINS.
>> 肖申克的救赎Shawshank Redemption Movie Script
TWO SHORT SIREN BLASTS issue from the main tower, drawing everybody's attention to the loading dock. The outer gate swings open...revealing a gray prison bus outside.
>> 肖申克的救赎Shawshank Redemption Movie Script
主塔发出两声短促的警笛声，把大家的注意力都吸引到了装卸码头。外门打开了。。。外面露出一辆灰色的囚车。
Each time we make a new discovery, we push this inner box a little closer to the edge of the outer box.
>> 爱因斯坦神模式 Einstein's God Model Movie Script
I'm going to drop down into this outer area here.
>> 越狱 终结篇Prison Break: The Final Break Movie Script
DREW:
(bursting) Olympic. Parrish disappears into his office. Drew, on his way out, glides past Jennifer's desk. DREW (cont'd) This is our lucky day. Jennifer acknowledges Drew with a smile, rises and moves to Parrish's doorway, waiting for the day's instructions, but Parrish only nods to the door and Jennifer quickly closes it, returns to her desk. INT. PARRISH'S OFFICE - DAY Alone in his office, Parrish's ebullient mood immediately changes. Leaning against the back of the couch, he stares out through floor-to-ceiling windows, surveying the Manhattan skyline:cogitates. He takes a seat on the couch, opens a folder, suddenly he flinches with a spasm of pain in his shoulder. It is sharp but brief, he notices it but what it does not continue, he ignores it. Parrish resumes looking at the folder when suddenly the pain comes again. He reaches for his shoulder, tries to massage the pain, it does not subside. Parrish stands, trying to shake it off, but it refuses to go away, some- thing is unmistakably wrong. Now a SOUND which he has come to recognize, makes itself heard:VOICE (V.O.) Yes. Frozen with surprise, Parrish's eyes search the room for the source of the SOUND, it comes from no particular direction, yet surrounds him. Suddenly Parrish's symptoms sharply intensify, he is sinking to the floor but somehow grabs a corner of the desk, holds on with one hand, with the other clutches at his shoulder and arm, the pain has violently seized the upper part of his body. He breaks out in a sweat, his pallor now waxen as the Voice repeats itself:VOICE (V.O., cont'd) ...Yes. Parrish grips the edge of the desk, the pain assaulting him on the one hand, the Voice coming at him from the outer, each aberration feeds on the other, he is beside himself, consumed with pain and bewildered by what seems to be a hallucination but which he is certain is not. Parrish is possessed. He angles his face in every direction, arbi- trarily chooses one and now embarrassedly, unconsciously, enrage, responds to the Voice.
>> 第六感生死缘Meet Joe Black Movie Script
YOUNG MAN:
And I want to get into my apartment and go to work. Please, what do you say, another cup of coffee? Two pots are warming behind the counter, he reaches over and refills her cup and his. Pushes a container and pitcher to- wards her. YOUNG MAN (cont'd) I see you use lots of sugar and cream. Me, too... They smile at each other, fix up their coffee. EXT. PARRISH COMMUNICATIONS, NEW YORK CITY - DAY A magnificent granite building, a monument to good taste in the midtown sea of glass and aluminum. INT. OUTER LOBBY, PARRISH COMMUNICATIONS - DAY Parrish and Drew enter, no particular fanfare but an aware- ness the 'Chief' has arrived, everyone giving Parrish the appropriate wide berth, Drew right beside him.
>> 第六感生死缘Meet Joe Black Movie Script