词汇：rear

vt. 培养；树立；栽种

相关场景

Red reacting to bullets coming through the rear of the fuselage, looks at the brooms protruding from the rear of the plane.>>完整场景

Anthony stands and moves back to the rear of the plane, pulls a piece of chalk from his pocket and writes on the nose of the bombs -- "For America," "For Pearl Harbor," "For the Arizona," "For Billy.">>完整场景

Greening pulls the machine guns out of the rear of the planes and puts in broomsticks painted black.>>完整场景

EXT. FLIGHT DECK - THE HORNET - DAY The preparations begin. Deck crews move the B-25's to the rear of the flight deck. Fueling teams top off the bomber's gas tanks. Ordnance men hoist four bombs into each aircraft, and the army gunners load ammunition for the machine guns.>>完整场景

INT. OKLAHOMA - REAR COMPARTMENT In one compartment there are a dozen trapped men. They've survived the roll-over, and are in a chaotic world where the floor is now the ceiling. The water is up their waists.>>完整场景

We notice in a little distance in the rear, there are some younger shepherds with shotguns thrown over their shoulders.>>完整场景

INT. PRESIDENTIAL PALACE - NIGHT An extremely tall, well-built Cuban, tanned and wearing an attractive mustache, LEON, in his middle forties, reads from a prepared paper. His sentences are translated by a smaller man, standing to his rear.>>完整场景

EXT. ROTH'S HOUSE - MED. VIEW - DAY The sinister Bussetta waits patiently in the rear seat of the car, outside Roth's modest house.>>完整场景

NEW VIEW:

This car pulls out and begins to follow them. Michael glances back by adjusting the rear view mirror, and nods to Bussetta.>>完整场景

CLOSER VIEW:

Michael sits behind the wheel of a nondescript late model car. Bussetta sits in the rear.>>完整场景

INT. HALLWAY - NIGHT Vito climbs down from the attic, and finds Fanucci's rear door open. He slips in, and makes his way past the open windows, out of which pour the music and chanting of the Mass. Slowly and quietly he pulls them down, shut.>>完整场景

INT. THE CHAPEL - NIGHT Some quiet, informally dressed couples wait in the rear of the chapel; some talking, others sitting nervously.>>完整场景

A black limousine pulls up, and before it has even stopped, the rear door flies open, and CONNIE attempts to run out, restrained by MAMA. She manages to break free and runs across the Mall into Michael's house.>>完整场景

SOMEONE is sitting in the rear seat, though we cannot see who.>>完整场景

CALO moves to the car, and puts a lunch basket in the rear seat.>>完整场景

EXT DAY:

TOMMASSINO COURTYARD MUSIC comes up; as MICHAEL, dressed in new clothes from Palermo, and carrying a stack of wrapped gifts, gets into an Alfa Romeo. CALO and FABRIZZIO each dressed in their Sunday best, are in the rear seat, huddled together, with their luparas on their shoulders.>>完整场景

EXT NITE:

DON'S LIMO (SPRING 1946) The DON's black limousine. He sits quietly in the padded rear seat; TOM HAGEN next to him.>>完整场景

CARLO TRAMONTI, an impressive, handsome middle-aged man, sits quietly, smoking a Di Napoli cigar, OUR VIEW moves to a MAN sitting to his left, and a little to the rear, and settles on JOSEPH ZALUCHI, a moon-faced amiable-looking man; as the view continues, around the table, we HEAR: DON CORLEONE (O.S.) I want to thank you all for coming.>>完整场景

CLEMENZA gets out, and moves to the open, rear door.>>完整场景

EXT NITE:

FUNERAL PARLOR ALLEY (SPRING 1946) The tires of a car roll very quietly along the small alley; we notice a dark car approach the rear of BONASERA's funeral parlor.>>完整场景

INT NITE:

FUNERAL PARLOR (SPRING 1946) BONASERA walks through the darkened funeral parlor, without turning on the lights; then into the rear, preparation room, past the tables, and equipment. He operates the chain that lifts a large overhead garage type door. And looks out into the alley.>>完整场景

TESSIO and CLEMENZA emerge, with OTHER BUTTON MEN bringing up the rear. HAGEN walks with the stretcher, and for a moment they disappear behind the ambulance. Then suddenly, siren blasting, it speeds off, accompanied by dark low-slung cars.>>完整场景

EXT NITE:

CAR MICHAEL sits in the rear seat, calmly, as he is being driven into the city. THREE BUTTONMEN are crowded into the front seat.>>完整场景

MICHAEL walks along in the rear yard.>>完整场景

There is the car; PAULIE is still sitting behind the wheel, LAMPONE in the rear seat. CLEMENZA steps in.>>完整场景