Hit the deck! Mines! As Blue team goes to the ground, Neil sees mines start to EXPLODE/IMPLODE in a wave towards him as the GREY TRUCK RACES BACKWARDS down the hill through the minefield, REVERSE- TRIGGERING THE MINES – Neil DIVES out of the way, almost run over... Then gets up to follow the ‘path’ of the grey truck... EXT. PRIVATE DECK, SATOR’S YACHT – LATE AFTERNOON Kat unzips the diver’s bag, feels the handle of the gun, then slides the bag under the daybed, checking she can reach. She moves to the rail, crouches to UNCLIP the bottom safety cable. She looks at Mahir’s boat across the water... EXT. CITY STREETS, STALSK-12 – DAY Ives leads Red team into the deserted concrete structures via an efficient cover-and-move formation... the Protagonist shelters behind LARGE CONCRETE CHUNKS. Which VIBRATE... GATHERING ENERGY... The Protagonist JUMPS AWAY as the chunks RIP FROM THE GROUND, BOUNCING VIOLENTLY, DUSTILY OFF EACH OTHER AND FLYING UP INTO A GAP IN THE SIDE OF A BUILDING as an INVERSE RPG ZIPS back up into a WINDOW – Ives has spotted the window and calls for an RPG to ‘follow’ the inverse one, BLASTING the building... the Protagonist checks his watch – ‘8:10’, ‘8:09’... EXT. HYPOCENTRE RIDGE, STALSK-12 – DAY Neil checks his watch – ‘8:08’, ‘8:07’... he heads downhill, towards the city, where the rest of Blue team BEAT BACK the enemy... EXT. PRIVATE DECK, SATOR’S YACHT – LATE AFTERNOON Kat hoses the raspberries and glass from the deck... Sator appears, watching as she turns the water on herself.
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We’re coming in on the shock wave... hang on, people! – Neil GRABS his belts as WHUMMMMM!!!! The container SHUDDERS – EXT. HYPOCENTRE RIDGE, STALSK-12 – CONTINUOUS The SHOCK WAVE CONTRACTS – the Chinook ‘SURFING’ backwards in on the shock as it approaches the hypocentre... ENERGY BUILDING... GROUND LIFTING AND FLATTENING... EXT. LZ, STALSK-12 – DAY The Protagonist joins a unit of Red team soldiers who CHARGE an antiaircraft emplacement TAKING IT OUT BEFORE IT CAN FIRE ON THE SLOW-MOVING CHINOOKS... The Protagonist uses his assault rifle to take out a gunemplacement. Ives uses an inverse grenade to violently ‘reassemble’ an enemy gun emplacement out of existence, shredding the enemy with reverse shrapnel...
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Neil looks up as BLACK SMOKE GATHERS, FORMING A MASSIVE CLOUD OVER THE PLANE... a SHOCK WAVE starts to BUILD in the air around them – the Protagonist PULLS Kat and Neil under the fuselage as CURTAINS of FIRE start GATHERING around the wings, CENTRED on a HALF-DESTROYED JET ENGINE – They pass through the hole in the wall LICKED AT BY FLAMES WHICH LEAVE FROST ON THEIR CLOTHES – As they clear start SHAKING CLIMAXES in a REASSEMBLES – into the building, DEBRIS in front of them – they DUCK as the MASSIVE BUILD OF ENERGY CACOPHONOUS REVERSE EXPLOSION as THE JET ENGINE LOOSELY ATTACHED TO THE WING, THRUSTING – INT./EXT. FREEPORT SHIPPING AREA – CONTINUOUS The Protagonist draws his gun – turns to Neil –
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The great Bill Parrish at a loss for words? The man from whose lips fall 'rapture' and 'passion' and 'obses- sion'...all those admonitions about being 'deliberately happy', what there is no sense 'living your life without...', all the sparks and energy you give off, the rosy advice you dispense in round, pear-shaped tones --
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