EXT. DOWNTOWN STREET WASHINGTON DC - DAY Early morning. The Capitol Building framed at the end of adowntown street. And we're moving, gathering speed, lookingbehind our direction of travel, so that what we see is onlyrevealed once we've passed... A loud SMASH! as we pass through an intersection and theaftermath of an auto crash, dazed drivers getting out oftheir cars... And we're still gathering speed... More carnage on both sides of the street, parked cars sideswiped, signposts, trashcans and a mailbox crushed... Waterrocketing skyward from a shattered fire hydrant... And now we're passing a speeding sedan, skillfully driven bya woman who we’ll come to know as MICHELLE MAXWELL, 30s.
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MALL ENTRANCE (SUMMER 1945) Outside the main gate of the Mall, SEVERAL MEN in suits, working together with a MAN in a dark sedan, walk in and out of the rows of parked cars, writing license plate numbers down in their notebooks. We HEAR the music and laughter coming from the party in the distance.
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EXT. A MOTEL - NIGHT A SEDAN, with U.S. MARSHALL stenciled on the door, sits in front of one of the rooms, and the two FEDERAL AGENTS inside the car are reading the newspaper as KAFFEE'S CAR pulls next to them and KAFFEE jumps out.
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EXT. THE BRIG - DAY Another red-brick building. A few M.P.Is stand out front as the cars pull up. As soon as they come to a stop, all the doors swing open and various uniformed and non-uniformed officers hop out and move to the unmarked sedan where they escort DAWSON and DOWNEY, in handcuffs, out of the car.
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EXT. WASHINGTON NAVY YARD - MAIN GATE - DAY It's maybe a little hazier today than it was yesterday. An M.P. is waving a procession of three Military Police sedans and a fourth unmarked car through the gate. The cars drive through and we
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128 INT. GREY SEDAN - NIGHT 128
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127 EXT. STREET - NIGHT 127 Reese's sedan glides out onto a main drag, very subdued.
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126 INT. GREY SEDAN - NIGHT 126 Reese is ultra-alert, craning to look up, back, forward.
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124 EXT. SIDE STREET/INTERSECTION - NIGHT 124 The sedan skids around a corner, F.G., as the searchlight filters in shafts through the trees further down the street, sweeping futility back and forth.
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122 EXT. OFF RAMP/INTERSECTION - NIGHT 122 The sedan roars across the street without slowing and vanishes down a tree-lined side street.
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120 INT. GREY SEDAN - NIGHT 120
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119 EXT. POLICE HELICOPTER - NIGHT 119 Below, Reese's sedan snakes along at 110 plus. The chopper, F.G., drops toward it.
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118 EXT. SANTA MONICA FREEWAY - NIGHT 118 The grey sedan moves through traffic like a hell-bent wraith. Reese has the hammer down. He handles the car with nerves of steel.
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116 INT. GREY SEDAN - NIGHT 116 Sarah is slumped way down in the seat, turned away from the window, trying not to see the landscape reeling outside.
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114 INT. GRAY SEDAN - NIGHT 114 Reese drives with total, nerveless absorption. His eyes flick to the mirror, to the road, over his shoulder, back ...and the world spins outside.
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