词汇:beetle

vi. 急忙来回;突出

相关场景

154 INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 154 ABADE has finished checking his video gear. He exits the room. The beetle camera follows him as he heads down the corridor to the living room.
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Lucy matches the hotel surveillance image with the image from the BEETLE and then types into the mission chatroom: “Confirm PID - Osman Abade.” B149 INT. PJHQ - LONDON - AFTERNOON B149 POWELL stares at ABADE as he tests the video camera.
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POWELL watches as the beetle image shows the older Somali Man cross the room to adjusts A CAMERA ON A TRIPOD. It faces A BLACK Al-Shabaab BANNER hanging on a wall.
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148 INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 148 BENSON and the politicians with him watch the image from the beetle in shock.
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POWELL watches as the beetle zooms in closer on the garments.
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145 INT. PJHQ - LONDON - AFTERNOON 145 POWELL watches as the beetle exits this room, goes back into the corridor and enters a second bedroom.
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144 INT. PJHQ - LONDON - AFTERNOON 144 POWELL closely observes the image from the beetle as it looks into a bedroom.
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JAMA focuses on his “game.” 143 INT. AMADU’S HOUSE - AFTERNOON 143 The beetle leaves the living room and flies down a corridor.
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142 EXT. STREET - EASTLEIGH - AFTERNOON 142 JAMA, tense, controls the beetle. KHALID sells a bucket.
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MATT:
We have a beetle inside the house and we’re seeing some people in there we don’t like.
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STEVE:
Don’t know. Matt, what’s going on? * 138 INT. SQUADRON OPERATIONS ROOM - NIGHT 138 WALSH and MATT have the beetle image on their screens. *
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POWELL:
We have her! 135 INT. BRIEFING ROOM A - WHITEHALL - AFTERNOON 135 BENSON and the others look at the image from the beetle.
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134 INT. PJHQ - LONDON - AFTERNOON 134 POWELL looks at the image from the beetle on her screen.
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133 INT. ROOM - HICKAM AIR FORCE BASE - NIGHT 133 LUCY matches library images of Danford with a frame grab from the beetle. She works quickly to identify her.
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The beetle moves position.
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130 INT. PJHQ - LONDON - AFTERNOON 130 POWELL stares at the live feed from the beetle.
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The house has no ceilings, and from up in the darkened rafters the beetle follows AMADU out of the kitchen and into: 129 INT. LIVING ROOM - AMADU’S HOUSE - AFTERNOON 129 The beetle in the rafters watches AMADU as he enters the living room with the tray of dates and glasses of zam zam.
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POWELL watches the image as the beetle enters the kitchen and rises quickly into the wooden rafters.
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126 EXT. STREET - EASTLEIGH - AFTERNOON 126 JAMA controls the beetle. Watching the image on his cellphone, he notices a BOY, KHALID, 12, staring at him.
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He doesn’t see the beetle hovering just outside the door.
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POWELL watches a second screen flicker as an image from the Beetle sputters to life: Through a crack in the back door we see: 125 INT. KITCHEN - AMADU’S HOUSE - AFTERNOON 125 AMADU has his back to us. He is carefully placing seven dates onto a small intricately patterned plate.
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123 EXT. AMADU’S COMPOUND - AFTERNOON 123 The beetle flies into Amadu’s compound.
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In the box is a live ‘AFRICAN FLOWER’ BEETLE.
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MAJOR OWITI: It will mean putting a man on the street. He will have to be close to fly the beetle and he could easily raise suspicion.
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I beat a beetle.
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