he'sobviously suffered a stroke in the night. He steps into hisslippers and shuffles along the marble floors in his pajamas - INT. GETTY MANSION -- NIGHT -- into a granite corridor peopled by stone figures fromanother age. He has no idea where he is.
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Thank you. Mr. Marschal shuffles over to the sofa. Takes a seat. Cole begins surveying the room again. Beat. His eyes finally come to rest on a plant seated in the corner. He stares at it... THE LEAVES OF THE PLANT SHAKE SLIGHTLY FROM A BREEZE. Cole puts down his glass on a table and walks over to the plant. Cole kneels down and starts to push the potted plant aside. THE POT SCREECHES ON THE WOODEN FLOOR. Malcolm calls to Cole under his breath.
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Of course not, Daddy. I'm sorry. There is something in Susan's tone that lets him know not a word has sunk in. Parrish slumps. SUSAN (cont'd) I love you, too. She kisses Parrish, rearranges one of his ranks of cards, shuffles through the deck, turns over the top card, lays down a card Parrish needs. SUSAN (cont'd) Lightning does strike. Parrish watches as Susan turns, disappears out the door. EXT. THIRD AVENUE, NEW YORK CITY - TWILIGHT Joe walking disconcertedly up the street, bumping shoulders with the rush hour crowd, trapped in the life of the city, he peers intently at faces, cars, into store windows. He stops now at the window of a Korean grocery, something has caught his eye, he steps inside. Through the window, Joe can be seen making a purchase, he hands the Korean Clerk some money, walks out. Joe, back on the street now, unscrews the top of a jar of peanut butter, dips a wad out with his fingers. The Korean Clerk runs out after him.
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