词汇:their

pron. 他们的,她们的;它们的

相关场景

The horse-drawn cab clatters out of his sight. He is about to draw back when he sees, directly beneath him, a man and woman walking with their hands in the air. Then, a German soldier, pointing his rifle at their backs, appears.
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His two companions have also put their packages to their shoulders and begin shooting, all aiming their fire at the Schutzpolizei building.
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He gives the others their vodka.
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On various floors, doors open, tenants put their heads out to see what's going on.
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Later:
Szpilman hears a car engine and the screech of brakes. He tenses. German voices shouting and their heavy footsteps on the stairs.
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At ground level, Jewish fighters try to fight their way out and are mowed down.
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German soldiers with flame-throwers advance carefully then unleash their fire into doorways and windows, and quickly retreat.
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The gun roars. The shell tears into the building. At once the German soldiers open fire with their rifles and lob grenades into the building. The gun fires again.
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As the German soldiers dismount from their vehicles one of them is hit and falls. The others rush for cover.
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Calmly, Szpilman leaves the table with the scales, walks past Majorek and the others, who, having got their potatoes, are assembling in a column, preparing to march back into the ghetto. The Polish workers have packed up their tools and are talking among themselves, also about to leave the site but in a casual way.
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INT./EXT. STORES AND BUILDING SITE - EVENING The Jewish workers lined up to get their potatoes and bread.
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EXT. STREET LEADING TO GHETTO - NIGHT Freezing cold. The Jewish workers, with their bundles of potatoes and bread, march back towards the ghetto gates escorted by the two Polish policemen. In the column, Szpilman, near the policeman with the moustache, and a little behind them, Majorek. Distant sounds of gunfire.
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Her husband's an actor. They're old friends. ( (He holds out the " piece of paper.) I've written their names down. And their address. If they're still there. Janina Godlewska and Andrzej Bogucki. Good people. Majorek, you go into the town every day. Would you try and make contact? Ask them if they'd help me get out of here?
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EXT. STREET LEADING TO GHETTO - NIGHT The Jewish workers, all carrying their parcels of potatoes and bread, march back towards the ghetto gates escorted by two Polish policemen. Szpilman walks beside them. Ahead of him, Majorek near the front of the column.
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INT. UNDER THE PLATFORM, GHETTO CAFE - DAY Thin slivers of light illuminate the two men on their backs in the cramped space.
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Lying outside the door, the bodies of Jehuda, Mrs. Zyskind, their two sons and the toddler. Szpilman steps across the bodies.
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He wanders forlornly down the street, passing empty buildings with their doors open, windows smashed. Furniture, torn mattresses and pillows lie scattered. Feathers fly.
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He stands, runs at the cordon, seeing between their heads, shoulders, Mother, Regina, Henryk and Halina clambering into the trucks. Father is looking around, bewildered.
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THE TRAIN:
The Szpilmans near the train. The first trucks are already full, the people inside pressed close together, SS men pushing them with their rifle butts.
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They search their pockets and handbags, hand over to Father what change they can find. He, in turn, hands the money to the Sweet Boy, who hands over one caramel and goes on his way.
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Later:
The Szpilmans seated on the kerb. Their attention is caught by a BOY who has a box of sweets on a string round his neck. And he's setting the sweets, pocketing money.
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The Szpilmans and their POV: Their first sight of the large rectangle, walled on two sides and overlooked by buildings. Several hundred people.
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EXT. UMSCHLAGPLATZ - DAY Szpilman, Mother, Regina and Father, with others, enter through one of the gates, which closes on them. They pause for a moment to take in their new surroundings.
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EXT. STREET LEADING TO UMSCHLAGPLATZ - MORNING Hot, fine summer's day. Jews, among them Szpilman, Mother, Regina and father, clutching their meagre belongings, walk towards wooden gates and come to a halt. Jewish policemen approach and order the people about, pushing and shoving them into line.
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INT. SZPILMAN ROOMS, WAREHOUSE - DAWN The partition has been pulled aside. People, including the Szpilmans, are dressing or dressed, packing up their belongings.
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