词汇:who

pron. 谁

相关场景

The German Captain is being bundled away by the guard, who aims a kick at him. The German Captain shouts out his name but it's unintelligible.
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On the opposite side of the street, he sees a man and a woman who have left the field kitchen. The man carries a two-tiered canister.
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Szpilman climbs the ladder, squeezes into the loft and looks down at the German Captain, who shines his light on him.
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THE GERMAN CAPTAIN Who are you?
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THE GERMAN CAPTAIN (stern) Who the hell are you?
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He waits. Listens. Silence EXT. STREET - EVENING Deserted. Buildings on fire but dying out. Corpses in the street, including the woman who was shot, still in her strange kneeling position.
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The pedestrians have scattered except for the old man, gasping for breath, hobbling on his walking stick, who eventually manages to disappear inside a building.
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The tram continues on its way, now revealing the few passengers who alighted '97 women, an old man with a stick.
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Later:
Szpilman looks up at Dr Luczak, who has a stethoscope in his ears. Dorota and Michal stand behind him.
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Comings and goings at the Schutzpolizei building. And an ambulance draws up at the hospital, disgorging a couple of stretcher cases, who are carried inside.
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The SS guards shout orders for the Jewish column to move off. Szpilman seems as if he's going to join them, but at the last moment turns and falls in with the Polish workers, beside Barczak, who just glances at him then moves so that Szpilman is in the middle of the group.
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Calmly, Szpilman leaves the table with the scales, walks past Majorek and the others, who, having got their potatoes, are assembling in a column, preparing to march back into the ghetto. The Polish workers have packed up their tools and are talking among themselves, also about to leave the site but in a casual way.
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As proof of our good will, we want you to select a delegate, who will be permitted to go into town once a day to buy, on each worker's behalf, five kilos of potatoes and one loaf of bread, which you will be allowed to take back into the ghetto. Now, why would we do that j if we meant to resettle you?
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Later:
Szpilman and Majorek sip gruel out of mugs. They sit apart from the others who are also taking a break.
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EXT. BUILDING SITE, OUTSIDE GHETTO - DAY Szpilman, bent almost double, carries a hod on his back piled with bricks. He is mounting a wooden ramp that runs up beside scaffolding on a small building site where an extra floor is being added to a house. There are Polish workers, too, who don't, of course, wear armbands as the Jews do. There's a wooden hut serving as a store on the site.
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BENEK:
A beauty. Who is she?
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They search their pockets and handbags, hand over to Father what change they can find. He, in turn, hands the money to the Sweet Boy, who hands over one caramel and goes on his way.
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Later:
The Szpilmans seated on the kerb. Their attention is caught by a BOY who has a box of sweets on a string round his neck. And he's setting the sweets, pocketing money.
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The NCO goes along the line, making a selection, using his pistol to prod people into moving. When he gets to the Szpilmans he selects Henryk and Halina. Then, he turns to those who are left:
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Schultz stamps the certificate, hands it to Majorek, who gives it to Father.
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He'd just made the first incision when the SS burst in, shoot the patient lying on the table, and then shoot Dr. Raszeja and everybody else who was there. Isn't that a laugh? The patient didn't feel a thing, he was anaesthetised - He laughs. No one else does.
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HENRYK:
Okay, then I'll tell you something funny. You know who I mean by Dr.
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Satisfied, the customer beams, nods his thanks to Szpilman, who resumes his piano playing.
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Szpilman exchanges looks with a pretty whore, who makes eyes at him.
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Benek points to the customer, who makes an imploring gesture to Szpilman. Szpilman stops playing.
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