“I ain’t messin’ this bed,” she said. “It’s the last sheet.” Xavier didn’t care. He put the money on her little chest of drawers and turned to her. Lorie shut the door and leaned against it, lifting her shift. With a grateful look Xavier dropped his pants. Soon his legs were trembling so she was afraid he would collapse before he was done. But he didn’t. When he finished he put his head against her bosom for a moment, wetting her breasts with his tears even as she felt his drip on her thigh.
>> Lonesome Dove 孤鸽镇

But when he raised up on one elbow to look at her in the fresh light, the urge to discourage her went away. It was a weakness, but he could not bear to disappoint women, even if it was ultimately for their own good. At least he couldn’t disappoint them to their faces. Leaving them was his only out, and he knew he wasn’t ready to leave Lorie. Her beauty blew the sleep right out of his brain, and all she was doing was looking out a window, her long golden hair spilling over her shoulders. She wore an old threadbare cotton shift that should have been thrown away long ago. She didn’t own a decent dress, and had nothing to show her beauty to advantage, yet most of the men on the border would ride thirty miles just to sit in a saloon and look at her. She had the quality of not yet having really started her life—her face had a freshness unusual in a woman who had been sporting for a while. The thought struck him that the two of them might do well in San Francisco, if they could just get there. There were men of wealth there, and Lorie’s beauty would soon attract them.
>> Lonesome Dove 孤鸽镇

“Ain’t decided,” he said. “They’ll be here till Monday.” “I plan to leave when you leave,” she said. “With the herd or not.” Jake looked around. She was standing in her shift, a little red spot on one cheek where he had slapped her, a lick that made no impression on her at all. It seemed to him there was never much time with women. Before you could look at one twice, you were into an argument, and they were telling you what was going to happen.
>> Lonesome Dove 孤鸽镇

AUGUSTUS RODE BACK to camp a little after sunset, thinking the work would have stopped by then. The cattle were being held in a long valley near the river, some five miles from town. Every night Call went across the river with five or six hands and came back with two or three hundred Mexican cattle—longhorns mostly, skinny as rails and wild as deer. Whatever they got they branded the next day, with the part of the crew that had rested doing the hard end of the work. Only Call worked both shifts. If he slept, it was an hour or two before breakfast or after supper. The rest of the time he worked, and so far as anyone could tell the pace agreed with him. He had taken to riding the Hell Bitch two days out of three, and the mare seemed no more affected by the work than he was.
>> Lonesome Dove 孤鸽镇

But her sinking confidence was only momentary. Jake put the dress aside, watched her draw her shift off over her head, and sat beside her when she lay down. He was perfectly at ease.
>> Lonesome Dove 孤鸽镇

The question threw Pea into confusion. He had been thinking about the girl he had seen in the window; to be asked when he was born meant stopping one line of thought and trying to shift to another, more difficult line.
>> Lonesome Dove 孤鸽镇

When I was on night shift, I felt like an explorer.
>> 倾城佳话 It Could Happen to You (1994) Movie Script

Did you know that Lady Ashley insisted... that my wife work her shift... so that she could see some... half-caste kid on the mission?
>> 澳大利亚乱世情 Australia Movie Script

I'm seeing him about Nullah after my shift.
>> 澳大利亚乱世情 Australia Movie Script

You're on the 12:00 shift.
>> 澳大利亚乱世情 Australia Movie Script

You're on the 3: 00 shift. All right?
>> 澳大利亚乱世情 Australia Movie Script

Now, I am more than willing to take his shift.
>> 澳大利亚乱世情 Australia Movie Script

Sing Song, you and me are gonna serenade 'em till 3:00, and, uh... the safest shift is predawn, so that's the boy soprano and his orchestra.
>> 澳大利亚乱世情 Australia Movie Script

We do it in shifts. Those boys will finish up in a couple hours. So, Bandy- - Yeah?
>> 澳大利亚乱世情 Australia Movie Script

They're bounced around pretty badly. Malcolm is knocked into the front, and in so doing knocks the gear shift into neutral. The engine RACES, the T-rex closes in again - - Losing ground now, the dinosaur makes a final lunge for the jeep and CRUNCHES into the left rear quarter panel - -
>> 侏罗纪公园 1 Jurassic Park (1993) Movie Script

The car GROWNS forward on the branch, which sags in their direction. They look up. The car begins to shift dramatically towards them.
>> 侏罗纪公园 1 Jurassic Park (1993) Movie Script

The shift in weight sends the fuselage tipping backwards.
>> 侏罗纪公园3 Jurassic Park 3 (2001) Movie Script

Tell him you'll work the hoot owl shift tonight.
>> 火箭小子-十月的天空 1999 October Sky Movie Script

We was just tryin' to get... Make sure the hoot owl shift sets those timbers by the vent!
>> 火箭小子-十月的天空 1999 October Sky Movie Script

Jordan trades looks with Donnie, who shifts uncomfortably.
>> 华尔街之狼 The Wolf of Wall Street Movie Script

WE SEE the household STAFF lined up outside the house. 115L JORDAN (V.O.) We even had two guards who worked in shifts, both named Rocco.
>> 华尔街之狼 The Wolf of Wall Street Movie Script

178E INT. HALLWAY OF ALFONSE SIMONE'S OFFICE - CONTINUOUS 178E NEARBY AT A SMALL TABLE SYDNEY IS FRISKED BY A BLACK MAN IN A SUIT, SHE SUSTAINS EYE CONTACT WITH IRVING AND RICHIE AS THEY ARE ALSO FRISKED BY ANOTHER MAN IN A SUIT ACROSS THE ROOM. -- THE CONTENTS OF SYDNEY’S PURSE ARE EMPTIED AND EXAMINED ALONG WITH HER PURSE. IT IS TENSE. SYDNEY STARES AT A NERVOUS RICHIE; THEIR MICROPHONES HAVE GONE UNDETECTED. “LONG BLACK ROAD” CONTINUES AS CAMERA FOLLOWS THE BACK OF THE THICK NECK OF THE MAN IN THE SUIT AS HE LEADS THEM DOWN A WINDING NARROW OFFICE CORRIDOR. IN ONE SHOT THE DOOR OPENS, JEFF LYNNE’S SONG SHIFTS TO A LIGHTER THAN AIR PIANO BREAK.
>> 美国骗局 American Hustle Movie Script

SYDNEY PROSSER: We are going to need another move, trust me. And you’re going to be thanking me. (shifts to British accent) The key to people is what they believe and what they want to believe and I want to believe that we were real, and I want to believe that a man could want me. And I'm gonna take all of that heartbreak, and all of that sorrow, and I am going to use it. And I'm going to make Richie think that I want him, and that I like him, and I’m going to be very convincing -- And I’m pissed at you.
>> 美国骗局 American Hustle Movie Script