Runs over the broken ground and makes it to the sandbagged H.Q. He stumbles down the make-shift stairs.
>> 拯救大兵瑞恩 Saving Private Ryan Movie Script

...said we can stay with them, but Joey's gettin' out of the service next month, and they barely got enough room as it is. Plus they got Poppa workin' double shifts and the baby cries half the night. I just don't know where we're gonna go... PUSH IN on Tommy's face as he listens.
>> 肖申克的救赎Shawshank Redemption Movie Script

Yeah, a man in my position travels with the wall, chasing shifts to make a living.
>> Pacific Rim 环太平洋 Movie Script

We got RPGs on rooftops. Jackson shifts his fire on the rooftops.
>> Modern Warfare 07 Movie Script

And I said you'd have a hard time finding a woman like that. Joe shifts, she smiles at his embarrasement. SUSAN (cont'd) Well, you've found one, Joe.
>> 第六感生死缘Meet Joe Black Movie Script

But you can't. Joe is about to respond but doesn't. SUSAN (cont'd) Just then -- when you hesitated -- the way you shift from foot-to-foot, I've always found endearing but just now -- I got a chill. But he drifts again, now she takes his hand. SUSAN (cont'd) Remember that morning in the coffee shop? You said 'What's wrong with taking care of a woman, she takes care of you --"
>> 第六感生死缘Meet Joe Black Movie Script

It nice it happen to you. It like you came to Cat Island and you had a holiday, sun didn't burn you red, just brown, sleep no mosquito eat you, rum no pound you head nex' day. But trut' is, dat bound to happen, you stay long enough. So tak dat nice picture home wi' you, but don' be fooled. We lonely here mostly, too. If we lucky, we got some nice pictures.Easter drifts into silence, her eyes and Joe's meet, a sense they understand each other. Easter shifts, trying hard to ease her discomfort.
>> 第六感生死缘Meet Joe Black Movie Script

Some. Joe shifts. JOE (cont'd) I - uh - I - realize now - uh - my being here - um - your patient -- this is not really appropriate -- and I - uh --
>> 第六感生死缘Meet Joe Black Movie Script

(emptily) Thank you, Drew. Parrish takes a moment, draws himself up to say something official then stops himself, what follows is spontaneous, reflective, deeply felt. PARRISH (cont'd) Umm -- I did enjoy -- or rather I was interested in meeting John yes- terday -- impressive... I suppose... But it did get me to thinking. I started in this business because this is what I wanted to do. I knew I wasn't going to write the Great American Novel, but I also knew there was more to life than buying something for a dollar and selling it for two. I wanted to give the news to the world, and I wanted to give it unvarnished. The more we all know about each other, the greater the chance we will survive. Sure, I want to make a profit, you can't exist without one but John Bontecou is all profit. If we give him license to absorb Parrish Communications, and he has his eye on a few others after us, we'll be appointing him to the position he craves -- Gatekeeper. In order to reach the world you will have to go through John Bontecou. And not only will you have to pay him to do this, far more expensive, you'll have to agree with him. Reporting the news is a privilege and a responsibility and it is not exploitable. Parrish Communications has earned this priv- ilege, John Bontecou wants to buy it. As your chairman, I urge you to agree this company is not for sale. A silence, everybody shifts, the Board is in shock, Drew is trying to maintain his balance.
>> 第六感生死缘Meet Joe Black Movie Script

(mumbles) Peanut butter. He finishes the spoonful. JOE (cont'd) But it's gone now. He shifts the spoon from hand to hand, starts to stick it in his pocket, realizes this is inappropriate. Susan holds her hand out to him, he places the spoon in it and she sets the spoon on the table with the towels. She watches, fascinat- ed, as Joe licks his gums, enjoying every last bit of his spoonful.
>> 第六感生死缘Meet Joe Black Movie Script

Hand me one of those, will you? Joe turns to the towels, but one hand is occupied with the spoonful of peanut butter, he shifts it to the other hand, can't manage the huge Turkish towel one-handed, now implants the spoon in his mouth, lifts the towel with both hands and presents it to Susan. SUSAN (cont'd) You must have something really big going on with my father --
>> 第六感生死缘Meet Joe Black Movie Script

Yes sir, Mr. Black, a pleasure. The staff all mumble expansive "Good evening, sir"s to Joe. He motions to them to sit, they do but Coyle does not. Coyle shifts from foot-to-foot, the staff is not used to having Parrish family or guests in this part of the house.
>> 第六感生死缘Meet Joe Black Movie Script