词汇：peer
vi. 凝视，盯着看；窥视
相关场景
- 196INT -- SOLITARY -- NIGHT (1966) 196 Andy listens in darkness. The FOOTSTEPS pause outside his door. The slot opens. An ELDERLY GUARD peers in.>> 肖申克的救赎Shawshank Redemption Movie Script
- MAIL CALLER:
- Thomas Williams! Tommy raises his hand. The envelope gets tossed to him. He stares at it. Red peers over his shoulder.>> 肖申克的救赎Shawshank Redemption Movie Script
- 122INT -- PRISON LIBRARY -- DAY (1954) 122 Andy is sorting books on the cart. He replaces a stack on the shelf -- and pauses, noticing a line of ants crawling up the wood. He glances up. The ants disappear over the top. He pulls a chair over and stands on it, peers cautiously over.>> 肖申克的救赎Shawshank Redemption Movie Script
- Red peers at Andy, checking him out. Andy stands in line, collar buttoned, hair combed.>> 肖申克的救赎Shawshank Redemption Movie Script
- (peers around) If I hear so much as a mouse fart in here the rest of the night, by God and Sonny Jesus, you'll all visit the infirmary. Every last motherf***er here.>> 肖申克的救赎Shawshank Redemption Movie Script
- The VOICES keep on, sly and creepy in the dark... 22INT -- VARIOUS CELLS -- NIGHT (1947) 22 thru thru 25 2g ...while the new cons go quietly crazy in their cells. One man paces like a caged animal...another sits gnawing his cuticles bloody...a third is weeping silently...a fourth is dry-heaving into the toilet... 26INT -- RED'S CELL -- NIGHT (1947) 26 Red waits at the bars. Smoking. Listening. He cranes his head, peers down toward Andy's cell. Nothing. Not a peep.>> 肖申克的救赎Shawshank Redemption Movie Script
- The con does. A GUARD with a penlight in his teeth spreads his cheeks, peers up his ass, and nods. Andy is next up. He gets the same treatment.>> 肖申克的救赎Shawshank Redemption Movie Script
- FADE TO BLACK:
- 7TH TITLE UP 8INT -- COURTROOM -- DAY (1946) 8 Andy stands before the dias. THE JUDGE peers down, framed by a carved frieze of blind Lady Justice on the wall.>> 肖申克的救赎Shawshank Redemption Movie Script
- That's a jury of my peers?>> A Time to Kill Movie Script
- He peers over his glasses at Wendell who respectfully shakes his head and tsks.>> 老无所依No Country for Old Men Movie Script
- INT. 2ND MOTEL ROOM - LATE DAY Moss is standing on a desk chair unscrewing the plate from the overhead airduct. He lays it aside and raises a flashlight and peers into the airduct.>> 老无所依No Country for Old Men Movie Script
- INT. BARN -- NIGHT PAUL'S EYE peers through the crack in the wall - 78.>> 金钱世界 All the Money in the World Movie Script
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INT. ANTIQUE STORE - DAY We are in an antique store. Filled floor to ceiling with furniture and knickknacks. Anna stands with a YOUNG COUPLE. All three lean over and peer into a glass cabinet. An antique engagement ring sits on a velvet stand.>> The Sixth Sense 灵异第六感 Movie Script- CUT TO:
INT. COLE'S BEDROOM - AFTERNOON Lynn moves into Cole's room with the laundry basket balanced on her hip. The Walkman headphones on her head blares A MUFFLED TECHNO DANCE BEAT. Lynn starts picking clothes up around Cole's room. This bedroom is an eerie place. The shadows seem to make shapes and figures. All the furniture is wood -- old fashioned. The lamps, the paintings on the wall -- antiques as well. The most striking feature of the room, however, is the homemade tent created from bedsheets and blankets tied to chairs and bureaus. It takes up a large corner of the room. A sign hangs over the bedsheets. "DO NOT ENTER" Lynn grabs the spiderman P.J.s that drape over the tent. A German Shepherd Puppy sleeps on the pillow. SEBASTIAN lifts his head sleepily and peers at Lynn before returning to his slumber. Lynn slowly reaches for a picture frame that peeks out from under Cole's pillow. Slides it out... It's a VACATION PHOTO of a couple. Lynn and Cole and a man. The man looks in every way a larger version of Cole. The picture has a visible effect on Lynn. She lets out a shaky breath before returning the photo to its hiding place. Lynn pulls a pair of school uniform pants off the wooden roll cover desk next to the bed.The desk is covered with loose leaf papers filled with writings. Lynn's eyes are drawn to the papers. Her curious gaze turns serious. Her mouth opens a tiny bit involuntarily. THE PAPERS are strewn with lines of handwriting. Countless lines. Thousands of words... Some horizontal, some vertical... The writing moves in arcs and flows in various size -- written at great speed -- every word connected by a single pen stroke -- everything written in one continuous motion. Lynn slowly spins the papers, taking in some of the phrases... ...Christ break the freaking glass oh no God no what the hell is going on Quiet the damn baby I'll cut you I swear it someone stop the burning I'll kill you I'll kill all you bastard... The words go on and on. Lynn removes her hands from the paper. She pulls her headphones off slowly. THE MUFFLED TECHNO DANCE BEAT FILLS THE DEAD SILENCE OF THE EERIE ROOM.>> The Sixth Sense 灵异第六感 Movie Script- SUSAN:
- Of course not, Daddy. I'm sorry. There is something in Susan's tone that lets him know not a word has sunk in. Parrish slumps. SUSAN (cont'd) I love you, too. She kisses Parrish, rearranges one of his ranks of cards, shuffles through the deck, turns over the top card, lays down a card Parrish needs. SUSAN (cont'd) Lightning does strike. Parrish watches as Susan turns, disappears out the door. EXT. THIRD AVENUE, NEW YORK CITY - TWILIGHT Joe walking disconcertedly up the street, bumping shoulders with the rush hour crowd, trapped in the life of the city, he peers intently at faces, cars, into store windows. He stops now at the window of a Korean grocery, something has caught his eye, he steps inside. Through the window, Joe can be seen making a purchase, he hands the Korean Clerk some money, walks out. Joe, back on the street now, unscrews the top of a jar of peanut butter, dips a wad out with his fingers. The Korean Clerk runs out after him.>> 第六感生死缘Meet Joe Black Movie Script
- element:
Bontecou is so anxious to get us, he said he'd take Parrish Communications with our Chairman or without. The Board falls silent. Sloane, a peer of Parrish's, fidgets. Drew milks the moment. DREW (cont'D) It's no surprise if I suggest to you that the Bill Parrish we know is not the Bill Parrish you saw yesterday. You heard that speech -- some strange emotional rationale to buttress a knee-jerk rejection of a legitimate offer. Does it not strike you that something is possibly affecting this man's judgement? More specifically -- his judgement to make a critical business decision? Silence, the Board clocking Drew's argument. DREW (cont'D) It's not pleasant to say the follow- ing, but I would be remiss, in this crisis, if I did not. When we pre- sent Bill with the improved Bontecou offer, and if he refuses to let us consider it -- once more makes an adamant or emotional rejection -- we will have no choice but to seek an alternative.>> 第六感生死缘Meet Joe Black Movie Script- PARRISH:
- I am. With you. He peers up ahead at Drew, on the telephone and gesticulat- ing intensely, right at home in the cockpit despite the CHOP of the blades and the pilot pressed up against him. PARRISH (cont'd) Do you love Drew?>> 第六感生死缘Meet Joe Black Movie Script